傎 inversion, inverted, mistake, topple, hanged or crucified upside-down, disemboweled 値,ハ,什,化,伹,具,仈,俱,倶,直,亻,眞,真,

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Gothic:

傎

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On-yomi [ Toggle rōmaji ]

テン
TE　N

Kun-yomi

さかさま　･　くる(う
sa　ka　sa　ma　･　ku　ru　u

Glyph elements [ Toggle Font ]

値

チ,ね,あたい value, worth, to be worth, to deserve, to merit; price, cost; a variable

　PERSON and DIRECT, STRAIGHT, VERTICALLY ERECT, RIGHT-ANGLED, UPRIGHT, SQUARE, PROPER, HONEST
…or: PERSON with PALM DOWN, UNDER CONTROL of CEREBRAL FRONTAL LOBE, ONESELF PERSONALLY, MYSELF and DIRECT, STRAIGHT, VERTICAL, SQUARE, RIGHT ANGLE, CORRECT
　

ハ

× HTML entity: ハ emit downward

　EMISSIONS, EMIT DROPS
…or: HEAD TAUT
　

什

ジュウ,シュウ,× what? ten men; utensil, tool, tool like ten men, an assortment, miscellaneous, ten of something

　PERSON and TEN
…or: PERSON with TWISTING, SCREWING
　

化

カ,ケ,ば,ふ,け transformation, to make something by transforming; to take a different form; to convert or improve; to delude, bewitch, enchant or charm

　MALE with SERVICE PROVIDER
…or: ROD HEAD with SERVICE PROVIDER
…or: PERSON REPEATEDLY BOBBING HEAD of APPENDAGE SPEWING VENOM
…or: ROD HEAD SLIDING with PENIS REPEATEDLY
　

伹

ショ,つたな clumsy and stupid; slow-witted, dull-brained; unskilled, unteachable

　PERSON and ONLY FOR THE TIME BEING, ABOUT TO DO but only ON A TEMPORARY BASIS
…or: PERSON with a MEAT PILE
　

具

グ,そな,つぶさ classifier for coffins, dead bodies; food or meal ingredients; equip with, to furnish; utensil, tool; in detail; tangible, definite

　MEAT PILE and EMITTING
…or: CAULDRON and BASE STANCE with GUSHING FLUIDS FROM HOLLOW SHAFTS
…or: GOAL, FOCUS OF EYES, MEAT PILED on TABLE
…or: ARRAYED inside FLESHPOT
　

仈

ハツ,ハチ,× person spurting some sort of emission; a surname used in China

　PERSON with EMISSION
…or: VERTICAL ROD, RECIPROCATING MOTIONS and HEAD SLIDING with EMISSIONS
　

俱

ク,ともに all, no exceptions, jointly; entire carcass, all bodily organs

　CLUMSY AND STUPID, SLOW-WITTED DULL-BRAINED UNSKILLED UNTEACHABLE with EMISSIONS DOWNWARD
…or: PERSON SPURTING SOME SORT OF EMISSION and ABOUT TO DO, ON THE VERGE, FURTHERMORE, MEAT PILE
…or: PERSON with CLASSIFIER FOR COFFINS, DEAD BODIES, FOOD OR MEAL INGREDIENTS, EQUIPPED WITH TOOL
…or: PERSON with DAWN EMISSIONS
　

倶

グ,ク,とも all, no exceptions, jointly; entire carcass, all bodily organs

直

チョク,ジキ,ジカ,ただ,なお,～なお,す direct, straight, vertically erect; immediate, soon, nearby; right-angled, upright, square, proper, honest; to correct, repair, fix, heal, do over, do again, revise, convert; hanged by the neck, fear of execution, headlong (neck elongated, head first, rush into death), neck stretched

　PALM DOWN with FRONTAL LOBE OF BRAIN and ARRAYED
…or: TWISTING and HANGED with EYES
　

亻

× person (male generally), rod head, head on rod

　THE HEAD OF AN ANIMAL OR PERSON and VERTICAL, RECIPROCATING MOTION, ONE'S ROD, STALK OR STEM
　

眞

シン,ま,まこと truth, genuine, star performer, quintessential, self-control, controlling by oneself, reality, actual, actualize, realize

　SITTING PERSON, CONCUBINE as GOAL, EYED and ANGLE, ROD with ARRAY of EMISSIONS
　

真

シン,ま,ま～,まこと truth, genuine, star performer, quintessential, self-control, controlling by oneself, reality, actual, actualize, realize

　ARRAY SELF with ARRAY of EMISSIONS
…or: FULL and DEAD BODY, FOOD OR MEAL INGREDIENTS
…or: SCREWING EQUIPMENT TOOL TANGIBLE, DEFINITE
…or: SCREWING PURPOSE with ARRAY of EMISSIONS
　

Meanings of elements

DESERVE, TO MERIT with EMIT DOWNWARD SPLASHING
…or: WHAT?!! TOOL as CLASSIFIER FOR COFFINS, DEAD BODIES, TANGIBLE FOOD OR MEAL INGREDIENTS
…or: TRANSFORMATION, TAKE A DIFFERENT FORM with COFFIN, DEAD BODY, MEAL INGREDIENTS, DEFINITE STANDING ON A BLOCK
…or: emphasis on ARRAY of CLUMSY STUPID SLOW-WITTED DULL-BRAINED UNSKILLED UNTEACHABLE with EMISSIONS
…or: PERSON SPURTING EMISSIONS with HEADLONG NECK ELONGATED, HEAD FIRST, RUSH INTO DEATH, NECK STRETCHED
…or: emphasis on ARRAY of ENTIRE CARCASS, ALL BODILY ORGANS, NO EXCEPTIONS, JOINTLY
…or: PERSON and DIRECT STRAIGHT VERTICAL, IMMEDIATE CORRECTION, EXECUTION
…or: PERSON with TRUTH, GENUINE, STAR PERFORMER, QUINTESSENTIAL REALITY ACTUALIZED

Elements truly need no further explanation, in particular that of「screwing while brain-dead and clumsy with one's emission」and「screwing all bodily organs of service provider.」Formerly,「person with service provider having no-longer-integrated feet with the goal of hanging emissions downward」as INVERSION (inverted feet, and inverted reasoning), MISTAKE, TOPPLE, UPSIDE DOWN, topsy-turvy, koyaanisqatsi and LIFE OUT OF BALANCE, in a state of confusion or disorder. Note that the no-longer-integrated feet of a Chinese service provider needed to be positioned UPSIDE DOWN prior to engagement and client contact (in most cases). Perhaps expecting the exercise of「self-control by persons」is a MISTAKE that leads to TOPPLING when the「true person」is revealed for what human beings all are without any laws or other governing authority watching all the time and enforcing the rules:「person hanged, hung up」and so on.

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: inversion; mistake
Japanese EDRDG: topple
Unihan extended: topple

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.