硜 obstinate, inability to control, unchanging course of action, sound of rocks or stones knocking against something 矼,一,巛,工,石,巠,

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MingLiU:

Mincho:

Gothic:

硜

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On-yomi [ Toggle rōmaji ]

コウ　･　キョウ　･　ケイ
KO　U　･　KYO　U　･　KE　I

Glyph elements [ Toggle Font ]

矼

コウ,× stone bridge, hard, serious-minded, stepping stones

　STONES against FLESH SEAM
…or: ROCK and CRAFT AND SKILL NECESSARY TO PERFORM A JOB, PLANNING, TRADING ONE THING FOR ANOTHER
　

一

イチ,イツ,ひと～ horizontal, array of items, reciprocating lateral motion, indicates width or extent, one segment, rod stalk or stem

　SIDE TO SIDE, BACK AND FORTH
　

巛

セン,かわ extremely loose amorphous shape, potentially odoriferous

　LOOSENED, STUFF BEING FLUNG
　

工

コウ,ク,グ,× closed seam of flesh; planning and skill necessary to perform a job, skilled worker with various woods; a trade

　CLOSED ORIFICE
…or: VERTICAL within TWO MODES, CHANGING STATE
…or: UPPER joining LOWER
　

石

セキ,シャク,コク,いし rocky or rock-like, stones, rocks, minerals

　LATERAL MOTION, ROD and HEAD SLIDING or ERECTION with ORIFICE, MOUTH, CAVITY OR PASSAGE OF THE BODY
　

巠

ケイ,キョウ,× stream of fluid flow within soil of some sort, to pass through, the most direct path, a divine experience, religious services, array of loose flesh seams with skilled talent

　A PROFESSIONAL and LOOSELY FLOWING FLUID STREAM with ROD
…or: RECIPROCATING LATERAL ROD MOTION, ROD STALK, INDICATES EXTENT, ONE SEGMENT with LOOSELY FLOWING FLUID STREAM, ROOM TO MOVE FREELY, NOT TIGHTLY BOUND, RIVER FLOW, MISSHAPEN with SEAM OF FLESH SKIN, CRAFT AND SKILL NECESSARY TO PERFORM A JOB, PLANNING, TRADING ONE THING FOR ANOTHER, HAVING AN IDEA
…or: ARRAY of LOOSE FLESH SEAMS with CRAFTY SKILL NECESSARY TO PERFORM VARIOUS JOBS, SKILLED WORKER WITH WOOD, ARTISAN, THE MEANS TO GET THE JOB DONE
　

Meanings of elements

SERIOUS-MINDED, FEET STRIKING STONES, HARD with RECIPROCATING MOTION HORIZONTALLY and LOOSENED, MOVING FREELY
…or: ROCK-LIKE, STONES with STREAMS RUNNING WITHIN SOIL, PASS THROUGH MOST DIRECT PATH, DIVINE EXPERIENCE, RELIGIOUS SERVICES with CRAFTY SKILL NECESSARY TO PERFORM VARIOUS JOBS, SKILLED WORKER WITH WOOD, ARTISAN, THE MEANS TO GET THE JOB DONE, TRADING ONE THING FOR ANOTHER, HAVING AN IDEA, FLESH SEAM

OBSTINATE literally means 'inability to control' as might be loose stones of a footpath clanking together (external sources given meanings) in a heavy rain, although stones in a footpath that have been walked upon and pounded into the underlying soil for ages do not actually slip much in a rainstorm, which is exactly why they are used to construct such a path. Underground streams that have flowed for thousands or millions of years may not cause too many rocks to clank together either, but if so, it is unlikely that anyone on the surface would hear that noise. Nonetheless, it is difficult to explain the elements referring to something other than testicles slapping against a partner while copulating, the INABILITY TO CONTROL.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: obstinate
Unihan extended: the sound of stones knocking together
EDRDG: sound of stones knocking together

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.