鈌 to pierce, to stab, to take hold of 釱,ㄅ,ユ,丿,丶,乀,金,夬,

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MingLiU:

Mincho:

Gothic:

鈌

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On-yomi [ Toggle rōmaji ]

エツ　･　エチ　･　ケイ　･　ケ　･　ケツ　･　ケチ
E　TSU　･　E　CHI　･　KE　I　･　KE　･　KE　TSU　･　KE　CHI

Kun-yomi

さ(す
sa　su

Glyph elements [ Toggle Font ]

釱

テイ,ダイ,タイ,あしかせ fetters, to fetter, person thrusting with both hands

　METALLIC, PERSON THRUSTING DOWNWARD with BOTH HANDS
…or: METAL and BIG
…or: METAL and ARRAYED on PERSON
…or: METAL with HAND and OTHER SIDE TOO, TAUT, LEASHED AND UNDER THE CONTROL OF ANOTHER
　

ㄅ

× tension gasping taut spring-like action, unbound busted foot of dynastic China, painful stress

　ELASTIC POTENTIAL STRAIN ENERGY, FLEXIBLY BENDED AND SPRINGY, FLECTURE TENSION
　

ユ

× HTML entity: ユ pulled out of the normal shape

　ROLLED, ROLLING, BEING ROLLED, SECOND POSITION, 2ND IN A SEQUENCE and LATERAL MOTION
…or: EXTREME TENSION, STRESS WITH PAIN AND GASPS, TAUT, TIGHT, SPRING-LIKE ACTION and INDICATES THE WIDTH OR EXTENT OF ANOTHER ELEMENT, AN ARRAY OF ITEMS
　

丿

ヘツ,えい,よう straight up erect, quick jerking movement, stretched taut

　ERECT, FLING
　

丶

チュ,× emphasized part of a glyph

　[emphasis is HERE in a glyph]
　

乀

フツ,ブチ,ま stretched taut; leashed under control of another; the other side (of something)

　STRETCHED TAUT
　

金

キン,コン,ゴン,かね,かな～,～がね metallic, digging, gold, person thrusting downward, valuables, testicles, source of wealth

　HAVING MORE THAN NEEDED, EXCESSIVE, TOO MUCH TO USE, SURPLUS, REMAINING, EXTRA RELAXED, I (USED BY EMPEROR ONLY) on ROD, INDICATES EXTENT
…or: PERSON, TAUT ERECTION with THRUSTING DOWNWARD FUCK, BECOME DRAINED OF FLUIDS, EBB, MAIN TRUNK SHAFT with SPURTING STANCE, PERCOLATING GUSHING HOT FLUIDS FROM HOLLOW SHAFT, ROD with EMISSIONS
　

夬

カイ,ケツ,ケチ,わ medical inspection, to arrive at a decision about something, to pull open, one side pulled, one side misshapen, parted in order to see inside; to make a determination about a condition

　PULLED OUT OF THE NORMAL SHAPE with ERECTION emphasized (or, TAUT the OTHER SIDE TOO)
…or: ROLLED with TWO HANDS
　

Meanings of elements

FETTERS, TO FETTER, PERSON THRUSTING WITH BOTH HANDS and with NO-LONGER-INTEGRATED BOUND FOOT OF CHINESE FEMALE, EXTREME TENSION, STRESS WITH PAIN AND GASPS, ROLLED TAUT AND TIGHT WITH SPRING-LIKE ACTION
…or: PULLED OUT OF THE NORMAL SHAPE with STIFF ERECTION, QUICK MOVEMENTS, STRETCHED TAUT with emphasis or with THE OTHER SIDE too and METALLIC, DIGGING GOLD, PERSON THRUSTING DOWNWARD
…or: METAL DIGGING, PERSON THRUSTING PENIS AND SPURTING in STANCE with MEDICAL INSPECTION TO ARRIVE AT A DECISION ABOUT SOMETHING, PULL OPEN, ONE SIDE PULLED, ONE SIDE MISSHAPEN, PARTED IN ORDER TO SEE INSIDE AND MAKE A DETERMINATION ABOUT A CONDITION

TAKE HOLD OF diseased appendage as「person with thrusting penis spurting and medical inspection」then:「STAB, PIERCE, lather, repeat」to remove accumulated gleet and「enable reaching an important decision.」TAKE HOLD OF one foot of a service provider as a「person with thrusting penis spurting」then:「pierce, lather, repeat」as per the old instructions:「person thrusting with both hands on no-longer-integrated foot.」

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: to pierce, to stab; to take
Japanese EDRDG: to pierce, to stab, to take
Unihan extended: to pierce, to stab; to take

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.