傈 tribe name; trading in male sex, fundamental elasticity, an elastic fundament, stretchable dripping hole(s), an accommodating male, an outing of three or more friends; price elasticity, rent-a-cock services, short-term rental, male with purchase price 休,亻,襾,価,丅,品,罒,覀,木,栗,

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MingLiU:

Mincho:

Gothic:

傈

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On-yomi [ Toggle rōmaji ]

リツ　･　リチ
RI　TSU　･　RI　CHI

Glyph elements [ Toggle Font ]

休

キュウ,やす to rest, resting, temporarily cease doing something, vacation, holiday, recess, suspend, idle, not working, dormant, Don't do that!

　WHAT? SCREWING TOOL LIKE TEN MEN with EMISSIONS DOWNWARD SPLASHING
…or: PERSON SPURTING SOME SORT OF EMISSION and FULL SCREWING
…or: RECIPROCATING MOTION OF ROD HEAD SLIDING and EMISSIONS with WOODY STEM
　

亻

× person (male generally), rod head, head on rod

　THE HEAD OF AN ANIMAL OR PERSON and VERTICAL, RECIPROCATING MOTION, ONE'S ROD, STALK OR STEM
　

襾

ア,け cover, conceal; broken vessels, spilled, falling drops of sticky brown fluid, anal rape, broken wine jar

　ROD CAVITY in SPREAD LEGS
…or: ARRAY of CAVITIES within SPREAD LEGS
　

価

カ,ケ,あたい cost, price; value, worth, deserving, merit; peddler, merchant, person who trades, trading in persons

　PERSON with TWO RODS DOWN in NET, WEAVING WITHIN SPREAD LEGS, COMMODITY GOODS
…or: PERSON and NECESSARY
…or: PERSON and DRIPPING FROM ORIFICES DROPS FALLING
　

丅

カ,ゲ,した,しも,もと,さ,くだ,お down, rod down

　DOWN
　

品

ヒン,ホン,しな the merchandise, fungibles, commodities, goods, quality, grade, rank

　(many, many) ORIFICES, JUXTAPOSED ORIFICES in all positions
　

罒

モウ,ボウ,あみがしら,よこめ netting, weaving within spread legs, snare, claptrap

　THE GOODS as ARRAY OF ORIFICES
…or: SPREAD LEGS with WEAVING INSIDE
…or: CONTAINMENT SURROUNDING a SPURTING ROD
　

覀

× necessary; dripping from orifices; drops falling

　inverted ORGY, PILING ON IN LAYERS within CAVITY
…or: RODS double DOWN from/in ORIFICE(S)
…or: ARRAY of RODS in NETTING
　

木

ボク,モク,き,こ～ wood, woody stalk, stem, wooden, a woody, tree, implanted, simple, simpleton, coffin, encased death, unfeeling, numb

　TWISTING a TAUT HEAD
…or: SCREWING EMISSIONS
…or: HAND on TAUT ROD
　

栗

リツ,くり,おののく fearful shudder, tremble, shiver; dark brown or maroon color (that of chestnut hulls), sweet chestnuts

　DRIPPING FROM ORIFICES, DROPS FALLING and FILLED COMPLETELY, CLOSING A HOLE OR OTHER OPENING, PLUGGED, BLOCKED, NEEDLE with EMIT DOWNWARD SPLASHING
…or: ESSENTIAL TREE
…or: NECESSARY TWISTING to EMIT
　

Meanings of elements

AT REST with DROPS FALLING, DRIPPING FROM ORIFICE(S)
…or: TRADER for WOODY
…or: PERSON with FALLING STICKY BROWN FLUID and WOOD
…or: PRICE, VALUE of WOOD
…or: PERSON with TWO RODS DOWN in ORIFICE(S) with SCREWING EMISSIONS
…or: PERSON with DARK BROWN MAROON COLOR
…or: PERSON with HULLS COVERING MANY PRICKS

「Person with array of woody rod goods, merchandise」as folks who frightened others causing goose flesh and fearful shudders: historically, the LISU TRIBE were slave traders, that is, the Lisu captured folks and then sold those human beings as slaves to others. Perhaps「being at rest, person with woody and dripping orifice」was one manner of baiting and trapping new slaves.
[ https://www.china.org.cn/english/features/EthnicGroups/136931.htm 2017-04-29 ]

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: Lisu ethnic group of Yunnan, see 傈僳
Japanese EDRDG: tribe
Unihan extended: tribe

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.