敫 blow pipe, percussion, assault, ejaculation caused by self-stimulation, display of wild and violent behavior ′,昉,攵,方,白,放,

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MingLiU:

Mincho:

Gothic:

敫

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On-yomi [ Toggle rōmaji ]

セク　･　キョウ　･　ケキ　･　キャク　･　ヤク
SE　KU　･　KYO　U　･　KE　KI　･　KYA　KU　･　YA　KU

Kun-yomi

うつ(る
u　tsu　ru

Glyph elements [ Toggle Font ]

′

昉

ホウ,あき to begin; dawn, daybreak; appearing

　SUN and UPRIGHT POSITION
…or: TONGUING MOUTH and METHOD OF DOING SOMETHING
…or: TONGUING MOUTH and PERSON, YOU
　

攵

ホク,× goad, coerce, force, incite action, prostrate and stroking, whacking

　SUPINE with PETTING CROSSING MOTION
…or: WHACKED and PROSTRATED
　

方

ホウ,かた,～かた,～がた a person, you, that way, direction, side, method of doing something, upright posture, square, something multiplying itself, only this way

　(marker) in front of SCORPION
…or: PALMING ERECT onto NO-LONGER-INTEGRATED FEET
　

白

ハク,ビャク,しろ,しら～ open-mouthed, conspicuous, white, blank, empty, staring in a stupor, to make clear, inspection

　emphasis marker above TONGUE IN MOUTH
…or: emphasis marker above ROD in MOUTH
　

放

ホウ,はな,～っぱな,こ,ほう release, emit, radiate, shoot, blast out of, discharge, defecate, ejaculate, seething broth, pass flatulent gases; liberate, set free, be free of; banish

　SIDE DIRECTION, METHOD OF DOING SOMETHING, SOMETHING MULTIPLYING ITSELF and PROSTRATED with SUBDUE, GET CONTROL OF, PETTING MOTION or SPREAD FEET, START AND STOP
…or: A PERSON and COERCE, FORCE, INCITE ACTION, PROSTRATE AND STROKING
　

Meanings of elements

emphasis on TO BEGIN, DAWN, DAYBREAK APPEARING with COERCE, FORCE, INCITE ACTION, PROSTRATE AND STROKING, WHACKING
…or: OPEN-MOUTHED, CONSPICUOUS WHITE, BLANK, EMPTY, STARING IN A STUPOR, TO MAKE CLEAR, INSPECTION with RELEASE, EMIT, RADIATE, SHOOT, BLAST OUT OF, DISCHARGE, DEFECATE, EJACULATE, SEETHING BROTH, PASS FLATULENT GASES, LIBERATE, SET FREE, BE FREE OF, BANISH
…or: CONSPICUOUS OPEN-MOUTHED PERSON WHACKING
…or: WHITE DISCHARGE
…or: METHOD OF PERSON PROSTRATE WHACKING and INCITING with CONSPICUOUS WHITE, STARING IN A STUPOR

「White blasting discharge」or, a「conspicuous open-mouthed person prone and whacking or stroking」that scholars say may refer to some sort of drum or other percussion instrument for making music and singing along with the pounding rhythm, likely howling like a wolf or screaming as might an overstimulated bonobo. Perhaps「person conspicuously whacking」or「conspicuous ejaculation」in a DISPLAY OF WILD AND VIOLENT BEHAVIOR. Note that no Chinese meanings are given.

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Japanese EDRDG: ancient musical instrument
Unihan extended: ancient musical instrument

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.