㐮 yield, undress, get naked, loosen, assist, raise up, long planning 六,龶,化,㇀,表,

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Glyph elements [ Toggle Font ]

六

ロク,リク,む,むっ,むい six, palming control of head emissions

　emphasis on RECIPROCATING ROD with EMISSIONS
…or: emphasis on ARRAY of EMISSIONS
…or: PALM CONTROL, COVERED HEAD OF SOMETHING with EMISSIONS DOWNWARD
　

龶

× HTML entity: 龶 prick, to stab, tapered, painful condition, thorn, scorpion telson with setae bristles

　MANY TIMES with RECIPROCAL ROD MOTION
…or: PENIS within CRAFTY FLESH SEAM
…or: ROD UP with TURGID-FLACCID CHANGING STATE
…or: ROD within FECES
…or: ARRAY of FLESH SEAMS
　

化

カ,ケ,ば,ふ,け transformation, to make something by transforming; to take a different form; to convert or improve; to delude, bewitch, enchant or charm

　MALE with SERVICE PROVIDER
…or: ROD HEAD with SERVICE PROVIDER
…or: PERSON REPEATEDLY BOBBING HEAD of APPENDAGE SPEWING VENOM
…or: ROD HEAD SLIDING with PENIS REPEATEDLY
　

㇀

× HTML entity: ㇀ head, sliding in and up

　HEAD SLIDING UP, HEAD IN
　

表

ヒョウ,おもて,～おもて,あらわ any sort of database; measurements, external or exposed surface, shown, expressed, displayed, manifest, ledger, checklist, table, chart, diagram; household relationship via females; burlap, jute

　PRICK with HEAD SLIDING UP AND IN with SERVICE PROVIDER
…or: PRICK HEAD SLIDING in RAISED LEG of CONCUBINE
…or: PRICK SLIDING in TRANSFORMATION
…or: PRICK with FOOT-BINDING CLOTH
…or: PRICKLY CLOTH
　

Meanings of elements

SIX, PALMING CONTROL OF HEAD with EMISSIONS and with multiple PRICKS with TRANSFORMATION, TAKE A DIFFERENT FORM, CONVERT OR IMPROVE, BEWITCH, ENCHANT OR CHARM with HEAD SLIDING IN AND UP
…or: PALMING CONTROL OF HEAD with MEASURING a PRICK, EXTERNAL OR EXPOSED SURFACE, SHOWN, EXPRESSED, DISPLAYED, MANIFEST, CHECKLIST, HOUSEHOLD RELATIONSHIP VIA FEMALES

In Chinese, this glyph is drawn as「control, palming covering」of「the two orifices, rowdy behavior, accusations (among concubines), female orifices juxtaposed side by side」and「pricks, head in transformation, charmed」(襄). However, this variant glyph uses diagonal strokes (「emissions」), one to each side in place of that「rowdy behavior, two orifices」element used by the Chinese.
Refers to someone assisting another person with disrobing (elements are「clothing」with「multiple prick emissions」drawn within), LOOSENING and removing both the will to resist and layers of clothing. Depicts the meanings of DISROBE, YIELDING, LOOSEN, ASSIST, CHARGING AND LUNGING TOWARD, cause something to RISE UP, BE RAISED. Also meaning「a vast and difficult undertaking that was LONG-PLANNED and hoped for over a considerable length of time」as if the subject had been targeted for a long while. Perhaps「cold」(寒) merged with「cloths separated」as NAKED.
See 曲 as「six-pack with double prick in cavity.」…according to some sources, the Chinese Dragon Emperor was supplied with a set of「six concubines, virgin orifices」every three days for deflowering as these elements also suggest,「six double pricking with person sliding head in concubine」who were likely NAKED at the time.

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Japanese EDRDG: to help, to assist, to achieve, to rise, to raise
Unihan extended: (same as 襄) to help; to assist, to achieve, to rise; to raise

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.