褐 dark-colored stain, brown, wool-like itchy cover, sackcloth, burlap, clothes that irritate, cause of irritation 衵,匂,匃,,勹,人,匕,∟,曰,衤,曷,

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褐

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On-yomi [ Toggle rōmaji ]

カツ
KA　TSU

Glyph elements [ Toggle Font ]

衵

ジツ,あこめ women's undergarments, chemise

　CLOTHING and TONGUE SHOWING IN A MOUTH
…or: CLOTHING designed for TONGUING MOUTH
…or: CLOTHES over ARRAY of ORIFICE
…or: CLOTHES and PRETENDING, PRETEXT, EXCUSE GIVEN TO HIDE THE TRUE REASON FOR SOMETHING
…or: CLOTHING and ROWDY, two ORIFICES JUXTAPOSED
　

匂

×,にお odor, stench, gangrene; gibbetting

　HEAD in HIGH TENSION, NO-LONGER-INTEGRATED FEET of FALLEN PERSON
…or: WRAPPED and SITTING CONCUBINE FEET
　

匃

カツ,カチ,カイ,こう,あた begging, to beg, to plead for, to give what is deserving; odor, stench, gangrene; gibbetting

　TAUT ERECTION DIRECTLY WRAPPED SLIDING HEAD in NO-LONGER-INTEGRATED FOOT
…or: WRAP AROUND HEAD AND NECK of PERSON HANGED
　

勹

ホウ,つつ wrapper, wrapping around

　HEAD SLIDING with HIGH TENSION AND GASPS in SKIN SLIT of NO-LONGER-INTEGRATED FEET
　

人

ジン,ニン,ひと,～り,～と person, a man, male adult

　HEAD or ERECT with TAUT, STRETCHED
　

匕

ヒ,さじ must remain sitting most of the time, device for scooping fluids, used for piercing or stabbing into

　REPEATED, BOBBING HEAD of PENIS
…or: PREPUBESCENT GIRL merged with PENIS
　

∟

× direct, square, right-angled

　VERTICAL with LATERAL, HORIZONTAL
　

曰

エツ,いわ,のたま,ここに tonguing something, tongue in a mouth, speak, say; having a reason to do something, pretending, a pretext, excuse given to hide the true reason for something, rod within orifice or mouth

　ROD in ORIFICE, MOUTH
…or: ORIFICE, MOUTH and ARRAYED
…or: RAISED ROD in CAVITY CONTAINMENT
…or: DIVINE, DIVA with IN-OUT, END-TO-END
　

衤

×,ころも cloth, cloths, clothes, clothing

　emphasis on the DISPLAY
…or: emphasis on NO-LONGER-INTEGRATED FOOT with VERTICAL PERSON WHO SITS MOST OF THE TIME
…or: NO-LONGER-INTEGRATED FOOT DRIPPING VERTICALLY with emphasis
…or: NO-LONGER-INTEGRATED FOOT with emphasis on FLACCID ROD
　

曷

カツ,なんぞ,いつ,いずくんぞ,なに make demands, interrogation, beg for mercy; hollering loudly, all of: why how when what where; display of dead meat or rotting corpse

　TONGUING MOUTH with BEGGING FOR
…or: SPEAK, SAY, HAVING A REASON TO DO SOMETHING, PRETENDING, A PRETEXT, EXCUSE GIVEN TO HIDE THE TRUE REASON FOR SOMETHING with GIVE WHAT IS DESERVING
…or: TONGUE IN MOUTH with ODOR, GIBBETING
…or: ROD in ORIFICE with BEGGING, TO BEG
　

Meanings of elements

FEMALE UNDERWEAR with ODOR, STENCH
…or: CLOTH and BEGGING FOR MERCY, HOLLERING LOUDLY
…or: WOMEN'S UNDERGARMENTS with GIBBETTING
…or: CLOTHING with SPEAK HAVING A REASON, PRETENDING, A PRETEXT, EXCUSE GIVEN TO HIDE THE TRUE REASON FOR SOMETHING, ROD WITHIN ORIFICE with DIRECTLY WRAPPED HEAD IN VAGINA of PERSON'S TAUT ERECTION or of SERVICE-PROVIDING UNFAITHFUL SLUT-WHORE
…or: CLOTH, CLOTHING with MAKE DEMANDS, INTERROGATION, ALL OF: WHY HOW WHEN WHAT WHERE, DISPLAY OF DEAD MEAT OR ROTTING CORPSE HANGED AS AN EXAMPLE AND WARNING TO OTHERS

[Elements vary by font]「undergarment, underwear with odor, stench」might naturally be BROWN, DARK-COLORED due to trapping some sorts of emissions, such as feces, blood, vaginal discharges, expelled semen from a prior encounter, or whatever might have oozed from within a no-longer-integrated foot. Discovering such a garment containing brownish semi-dried semen, underwear with that special odor and stench when no intercourse has occurred with the lord or master, becomes a CAUSE OF IRRITATION to say the least:「clothes with beg for mercy」after breaking trust.
Both left and right elements refer to the long cloths used to bind the no-longer-integrated feet of females (匕 so popular in dynastic China), a strong and coarsely woven cloth made of fibers of jute, flax, or hemp. Perhaps depicting the clothes of a person being interrogated, forced to wear while the interrogators were making demands and preparing him to be hanged with a noose.「Cloths, clothes」with「beg for mercy, scream until hoarse or dead」as clothing that causes one to scream (whether being interrogated or not), BURLAP and also the color of burlap, DARK BROWN, a CAUSE OF IRRITATION. English 'burlap' of course is derived from 'coarse cloth with burrs in your lap area,' a cautionary warning to remove the cloths from no-longer-integrated feet prior to use on one's privates. Right element style varies depending upon the font used for display.
「Emphasis on display while begging for mercy」as a BROWN WOOL-LIKE COVERING after the appearance of copious vaginal froth on the surrounding fringes of the vaginal labia and (if any) the penis, that becomes brown after continuing into or following the anal orifice, forming a slick foam covering and a potential CAUSE OF IRRITATION.

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: brown; gray or dark color; coarse hemp cloth
Japanese EDRDG: brown, woollen kimono
Unihan extended: coarse woolen cloth; dull, dark

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.