暌 in opposition; distant from; separated 昊,癶,一,口,干,乀,曰,癸,

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MingLiU:

Mincho:

Gothic:

暌

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On-yomi [ Toggle rōmaji ]

ケイ　･　ケ
KE　I　･　KE

Kun-yomi

く(れる
ku　re　ru

Glyph elements [ Toggle Font ]

昊

コウ,そら heaven, divine, celestial, boundless, no limit, never-ending, heavenly, sky

　DIVINE SERVICE PROVIDER and ARRAY, ROD in ORIFICE
…or: HEAVENLY ORIFICE with ONE
…or: FELLATING IN THE FEMALE ROLE and GRAND, MUCH, BIG TIME, TWO-HANDED
…or: TONGUING SOMETHING IN A MOUTH, HAVING A REASON TO DO SOMETHING and BOUNDLESS, NO LIMIT, NEVER-ENDING, HEAVENLY
　

癶

ハツ,× feet in some sort of stance, not walking but using legs, unstable; foot use while inverted

　NO-LONGER-INTEGRATED FOOT (sole arch marked) SPURTING
…or: CLEVER STANCE
　

一

イチ,イツ,ひと～ horizontal, array of items, reciprocating lateral motion, indicates width or extent, one segment, rod stalk or stem

　SIDE TO SIDE, BACK AND FORTH
　

口

コウ,ク,くち orifice, mouth, cavity or passage of the body; an opening, aperture, vent

　ORIFICE
　

干

カン,ほ,～ぼ,ひ thrusting downward, to fuck, become drained of fluids, ebb; defensive; main trunk or shaft

　INVERTED PENIS, ROD DOWN
…or: ARRAY of SCREWING
　

乀

フツ,ブチ,ま stretched taut; leashed under control of another; the other side (of something)

　STRETCHED TAUT
　

曰

エツ,いわ,のたま,ここに tonguing something, tongue in a mouth, speak, say; having a reason to do something, pretending, a pretext, excuse given to hide the true reason for something, rod within orifice or mouth

　ROD in ORIFICE, MOUTH
…or: ORIFICE, MOUTH and ARRAYED
…or: RAISED ROD in CAVITY CONTAINMENT
…or: DIVINE, DIVA with IN-OUT, END-TO-END
　

癸

キ,みずのと small discharge, small amount of fluid, falling drips or drops

　FEET IN SOME SORT OF STANCE, UNSTABLE and THRUSTING DOWNWARD, DRY, DRAIN, EBB, DEFENSIVE, MAIN TRUNK OR SHAFT and TAUT
…or: FOOT IN USE WHILE INVERTED with HEAVEN, DIVINE, CELESTIAL, BOUNDLESS, NO LIMIT, NEVER-ENDING, HEAVENLY, SKY
　

Meanings of elements

HEAVEN, EMPTY SPACE and FEET IN SOME SORT OF STANCE
…or: TONGUING SOMETHING IN A MOUTH, HAVING A REASON TO DO SOMETHING, PRETENDING, A PRETEXT, EXCUSE GIVEN TO HIDE THE TRUE REASON FOR SOMETHING with SMALL DISCHARGE, SMALL AMOUNT OF FLUID, FALLING DRIPS OR DROPS

Early separation to avoid receiving a dishonorable discharge orally while sitting in an OPPOSITE POSITION in order for the service provider to avoid contracting a case of oral gonorrhea from an infected client, or, just because of the foul odor. A bent penis (lower-right) is a symptom of disease, and infection of the past or presently. No one wants to get too close, being IN OPPOSITION to ingesting those fluids with coagulated chunks.「Foot stance with some empty space, a void」as SEPARATION from anyone with「small fluid discharges」from the genitals to avoid transmission of disease.「Foot stance with some empty space, a void」as both feet in use by two clients also permitted some DISTANCE FROM one another and all the mucous membranes of the service provider for this reason.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: in opposition to; separated from
Unihan extended: in opposition; distant from; separated
EDRDG: in opposition; distant from; separated

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.