輇 wheel with no spokes; doing everybody in a single session, lazy susan szechuan, turntable, she-bang 車,全,

注意：このページには、一部の読者にとって不快または不適切な内容が含まれている可能性があります。
Note: This page may contain content that is offensive or inappropriate for some readers.

MingLiU:

Mincho:

Gothic:

輇

Login Welcome!　Introduction
Glyphs missing from your font set may appear strange, or not at all. We recommend enabling East Asian language support.

On-yomi [ Toggle rōmaji ]

セン　･　チュン　･　ケン
SE　N　･　CHU　N　･　KE　N

Glyph elements [ Toggle Font ]

車

シャ,くるま rotation, wheel, cart, military vehicle, a well-oiled machine, greased axle; axel (rotation with human body), sequential screwing in orifice

　TURNING, SCREWING on both sides of a FILLED ORIFICE
…or: EXTENDED and ROTATING
…or: TWO in a MONKEY
…or: SCREWING a PLUGGING ORIFICE then SCREWING it again
…or: (three) sequential SCREWINGS in ORIFICE
…or: ARRAY of MONKEYS in LINE, with ROD, INDICATE EXTENT
　

全

ゼン,まった,すべ all, whole, full, perfect, complete, entire, the whole thing, all in

　INSERTION, BECOME A MEMBER with KING
　

Meanings of elements

WHEEL and ALL, WHOLE, FULL, COMPLETE, ENTIRE
…or: ROTATION OF PLUGGING ORIFICE SCREWING of the KING with INSERTIONS

「Revolving insertions of the king」Wheels used on carts were first simply segments cut from a tree trunk with the axle hole hollowed, later with bands placed around the girth to prevent cracking and splitting. Concept of「rotation plugging orifice screwing with insertion by the king」with the many concubines in his harem also demanded a ring with no spokes placed around a woody, today known as a cockring: band placed around the girth to prevent deflation and flaccidity and that enabled DOING EVERYBODY IN A SINGLE SESSION.「Rotation, revolving with repeatedly erect taut loose and dripping」suggests various scenes that come to mind…but in dynastic China, perhaps this glyph represents a huge「lazy susan」that turned as does a merry-go-'round with concubines positioned in lordosis around the periphery, facing the center, and the lord-owner-master standing and taking a turn with each: an older version of a WHEEL OF FORTUNE, GETTING LUCKY:「sequential screwing in one orifice after another with insertions by the king, or, rod in flesh seam, or, rod on feces.」Note that such a device would be a large wheel, pivoting laterally, with no spokes internally similar to the devices found in children's parks today: a TURNTABLE, a TURNING TABLETOP offering a dazzling array of prepared meats, the「wheel for doing all, entire, the whole shebang」(as in a she-bang). In American English:
　Shebang (origin unknown)「In its early years, shebang could refer to such dissimilar things as a type of dwelling [a place to stay a long while, feeling at home?], a vehicle [from this glyph?], or a drinking establishment [this device loaded with hookers in a saloon?], or it could be used in a general sense for the entirety of something, as in the common phrase 'the whole shebang.'」
　　[　https://www.merriam-webster.com/words-at-play/the-word-history-of-shebang 2019-12-21　]　
　…and in dynastic China, fucking the whole harem of concubines in a single session (a small harem, that was), and in your heart you know that they would have somehow tried doing this very thing.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: small; wheel without spokes
Unihan extended: cart wheel with no spokes
EDRDG: cart wheel with no spokes

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.