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  • Glyph.07222
  • Strokes: 13
  • grade_08


MingLiU:
Mincho:
Gothic:
詣
詣

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On-yomi   [ Toggle rōmaji ]
ケイ ・ ゲイ
KE I ・ GE I
Kun-yomi
けい(する ・ まい(る ・ いた(る ・ もう(でる
ke i su ru ・ ma i ru ・ i ta ru ・ mo u de ru

Glyph elements  [ Toggle Font ]

Meanings of elements
FALSE, FAKE, IMITATION, PREPARED ALL COMPLETE with TONGUING SOMETHING, SPEAK, HAVING A REASON TO DO SOMETHING, PRETENDING, A PRETEXT, EXCUSE GIVEN TO HIDE THE TRUE REASON FOR SOMETHING
…or: INTERCOURSE by IMPERIAL DECREE, FIAT
…or: INTERCOURSE with the CENTRAL SHAFT, FUNDAMENTAL PURPOSE, BASIC PRINCIPLE AIM OR GOAL, A MEANING FOR BEING
…or: INTERCOURSE with SKILLFUL CLEVER DELIGHT, RELISH GOOD FLAVOR, DELICIOUS TASTE, APPETIZING CREAM, TO TURN OUT WELL, TO DO THE TRICK, TO HAVE PEACEFUL RELATIONS, TO MANAGE SOMETHING SUCCESSFULLY, TO MAKE IT A PRINCIPLE TO, TO WIN DECISIVELY OVER
…or: INTERCOURSE, FOREPLAY with TONGUING MOUTH of SERVICE PROVIDER
「Faked speaking」includes memorized prayers recited without thought that have lost their original meaning, and perhaps the Chinese sages' opinion of religion generally, recalling that the first religion of China was shamanism and the worship of divine sex divas. Visits to a Shintō shrine or a Buddhist temple which in nearly every case for most everybody does not involve any speaking aloud, by anyone or to anyone else. Persuading folks to travel to a 'holy site' and then freely dump handfuls of money into a coffer clearly is an ACCOMPLISHMENT, SKILLED ACHIEVEMENT.
「Widely repeated head bobbing and tonguing motions」that often accompany silent prayers in a PILGRIMAGE to religious shrine or temple. When Japanese visit a Shintō shrine or a Buddhist temple, prayers are preceded and ended with a series of deep bowing motions, or「head bobbing」and perhaps tongue motions or「mouthing」of silent prayers (although quite rare, some folks still holler their prayers loudly).
It may seem intuitively obvious, but each religious pilgrimage entails「going and returning」…actually, this point is so obvious and universal any time you leave your dwelling (even to shop for beer) that it is difficult to associate GOING AND RETURNING with religion in particular. In addition, there are no commands for pilgrimages or attendance or to become accomplished at anything, also unlike other religions, with each having just one basic command (Shintō: Honor the dead. Buddhism: Be kind). With the right element meaning「tongue in mouth skillful」paired with the left element of「oral foreplay」the religious visits referred to formerly must have been GOING AND RETURNING on a regular basis, time and again to VISIT or to make a continuous daily or weekly PILGRIMAGE to the local shaman woman for the purpose of LEARNING SKILLS of「oral foreplay」until the student had SKILLED ACHIEVEMENT, LEARNED AN ART, perhaps the subject of study having been「skilled foreplay is commanded」(left and right elements) by a lord to repeatedly VISIT IN PILGRIMAGE the shaman for training in fellating religiously. Also meaning a GREAT ACHIEVEMENT, apparently since a skillful fellatrix can get most anything eventually, even from the lord.

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: to go (to visit a superior); one's current attainment in learning or art
Japanese EDRDG: visit a temple
Unihan extended: reach; achievement, accomplishment

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.



Japanese vocabulary: 19 entries


Chinese usage: 9 entries


Related glyphs [ Toggle font ]


  • Glyph.07222
  • Strokes: 13
  • grade_08

   


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