厭 satiated, disagreeable, loathe 厂,明,冐,犬,肰,猒,

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MingLiU:

Mincho:

Gothic:

厭

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On-yomi [ Toggle rōmaji ]

エン　･　オン　･　アン　･　オウ　･　ユウ　･　⺕ウ
E　N　･　O　N　･　A　N　･　O　U　･　YU　U　･　YO　U

Kun-yomi

いや　･　あ(きる　･　いと(う　･　おさ(える
i　ya　･　a　ki　ru　･　i　to　u　･　o　sa　e　ru

Glyph elements [ Toggle Font ]

厂

カン,かりがね hand, cliff, curtain

　STRAIGHT UP and LATERAL
…or: ARRAY of ERECTIONS
…or: ROD ERECT
　

明

メイ,ミョウ,ミン,あ,あか,あき,～あ a meaning that is clear and obvious, elucidate; to dawn upon, become illuminated, flash brilliantly; to divulge, make known what was hidden; empty area, time to waste, emptiness, vacant, sacrificed, gaping

　TONGUING MOUTH and MEAT
…or: SUN and MOON
　

冐

ボウ,おか risk, brave, dare, defiance; desecrate, damaged, attacked; assumed name, false pretenses

　TONGUING MOUTH on MEAT
…or: THROBBING, PULSATING, SWELLING and BODY MEAT
　

犬

ケン,いぬ,いぬ～ canid; domesticated dog

　TAUT LEASH with IN HAND
…or: BIG in TWO HANDS with emphasis
…or: ADULT MALE ROD with emphasis marker
　

肰

× dogmeat, puppy nuggets

　FLESH of DOMESTICATED DOG
…or: emphasis on BIG MEAT or TWO-HANDED with MEAT
　

猒

エン,オウ,⺕ウ,あ eating putrid dog meat; fellating a patient, dog-dare, fellating a throbbing dog

　A MEANING THAT IS CLEAR AND OBVIOUS, ELUCIDATE, DAWN UPON, BECOME ILLUMINATED, FLASH BRILLIANTLY, DIVULGE, MAKE KNOWN WHAT WAS HIDDEN, TIME TO WASTE, EMPTINESS, VACANT, SACRIFICED, GAPING with DOG
…or: DARE, RISK, DESECRATED, DAMAGED, ATTACKED BY DISEASES and CANID, DOMESTICATED DOG
…or: TONGUING SOMETHING IN A MOUTH or THROBBING, PULSATING, REPEATED SERIES OF SWELLING AND SHRINKING, TURGID AND FLACCID, SOMETHING COVERING A HEAD and DOMESTICATED DOG MEAT, PUPPY NUGGETS
　

Meanings of elements

HAND and EATING PUTRID DOG MEAT or FELLATING A PATIENT or DOG-DARE or FELLATING A THROBBING DOG
…or: HAND with CLEAR AND OBVIOUS MEANING with ONE'S DOG

Might depict tongue hanging from mouth after vomiting due to an overindulgence while eating puppy meat. More likely,「cave of tonguing meat of domesticated dog」and「cave of taking risks」by service providers in a cave o' wonders, TOO MUCH, SATIATED, LOATHING after「handling and tonguing big dog meat that was desecrated, damaged, attacked by diseases.」
　「Hand with a meaning that is clear and obvious and emphasis on both hands, one's dog meat and tongue wagging」describes BECOMING SATIATED with selfies, and LOATHING one's own dog meat after it became「desecrated, damaged, attacked by diseases.」

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: to loathe
Japanese: disagreeable, detestable, unpleasant, reluctant, to be loath to, to balk at, to grudge, to spare, to be weary of, to shun, to dislike, to hate, to take care of, to tire of, to lose interest in, to be satisfied, to enjoy, to do adequately, awfully, terribly, disagreeableness, disagreeability, gaudiness, sarcasm, to get tired of, unwillingly, grudgingly, shaking head in refusal, to bore, to weary, to stultify, to use lavishly, to have enough, harassment, pestering, disgusting, filthy, repulsive, lewd, lascivious, indecent, obscene, dirty
Unihan extended: dislike, detest, reject; satiate
EDRDG: get tired of; satiate; bore; dislike; disagreeable; unwelcome

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.