槎 to fell wood; cut slanted, raft; to hew, chop unevenly, to strike forcibly 枉,杠,杜,䒑,ノ,工,木,差,

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MingLiU:

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Gothic:

槎

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On-yomi [ Toggle rōmaji ]

サ
SA

Kun-yomi

いかだ　･　き(る
i　ka　da　･　ki　ru

Glyph elements [ Toggle Font ]

枉

オウ,ま twisted, forcibly, against one's will, unjust, perverse, bent, curved, crooked, useless, in vain

　WOOD ROD with SOIL
…or: RESTRICTED USE, STOP, PREVENT with ROD
…or: LATERAL RECIPROCATING MOTION with BAR, ROD, LEVER, THICK POLE, PRY BAR, TAPERED POINT JOYSTICK, FOOTBRIDGE
…or: WOODY of the KING
…or: WOODY and ROD within FLESH SEAM, CRAFT AND SKILL NECESSARY TO PERFORM A JOB, PLANNING, TRADING ONE THING FOR ANOTHER, SKILLED WORKER WITH WOOD, ARTIST, THE MEANS TO DO, HAVING AN IDEA, A PROFESSIONAL
　

杠

コウ,ちぎり,てこ bar, rod, lever, thick pole, pry bar; tapered, sharpened, pointed; dildo as joystick; footbridge

　WOOD, STALK, STEM and CLOSED SEAM OF SKIN, CRAFT AND SKILL NECESSARY TO PERFORM A JOB
　

杜

ト,トウ,ズ,もり,ふさ,やまなし forest; shrine grove; restricted use, stop, prevent; birch-leaf pear tree

　TREE and GROUND, SOIL
…or: WOODY with NIGHT SOIL
　

䒑

× HTML entity: 䒑 spurting shaft stance stuff flying up

　EMIT an ARRAY
…or: EMISSIONS from ROD SEGMENT
　

ノ

× HTML entity: ノ head, sliding down, declining, dammed flow

　HEAD SLIDING DOWN
　

工

コウ,ク,グ,× closed seam of flesh; planning and skill necessary to perform a job, skilled worker with various woods; a trade

　CLOSED ORIFICE
…or: VERTICAL within TWO MODES, CHANGING STATE
…or: UPPER joining LOWER
　

木

ボク,モク,き,こ～ wood, woody stalk, stem, wooden, a woody, tree, implanted, simple, simpleton, coffin, encased death, unfeeling, numb

　TWISTING a TAUT HEAD
…or: SCREWING EMISSIONS
…or: HAND on TAUT ROD
　

差

サ,さ human error, wrong, extra work, extra effort required, uneven thrusting, poke, insert; difference, variance, discrepancy, procedural error, pain spasm, counter for rural folk dances, dispatch to do a job elsewhere

　SLIDING DOWN HEAD, ERECTION while WORKING the FLESH SEAM of SHEEP
　

Meanings of elements

TWIST FORCIBLY, CURVED with EMISSIONS of HEAD SLIDING in FLESH SEAM
…or: LEVER, THICK POLE, PRY BAR, TAPERED DILDO JOYSTICK with EMISSIONS ARRAY inside and HEAD SLIDING
…or: SHRINE, RESTRICTED USE and SPURTING STANCE GUSHING HOT FLUIDS with HEAD in FLESH SEAM
…or: WOODY with EXTRA EFFORT, UNEVEN THRUSTING, POKE, INSERTION DIFFERENCE, VARIANCE, DISCREPANCY, PROCEDURAL ERROR, UNEVEN, PAIN SPASM, COUNTER FOR RURAL FOLK DANCES, HUMAN ERROR

Rafts seldom float without veering to one side, since a raft has no stabilizing keel or bowsprit. Rafts are often moved by using a long pole and pushing off the bottom of the river or lakebed, using stretched arms. Chopping trees with slanted strokes, to HEW, to STRIKE FORCIBLY with wood. Perhaps the source of the advice,「That's OK, but don't hurt yourself…」

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: a raft made of bamboo or wood; to fell trees; to hew
Unihan extended: raft; time, occasion; to hew
EDRDG: raft; cut slantwise

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.