漼 having the appearance of depth, false pretenses, attempting a deception 汕,隹,淮,山,氵,崔,

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MingLiU:

Mincho:

Gothic:

漼

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On-yomi [ Toggle rōmaji ]

サイ　･　スイ
SA　I　･　SU　I

Kun-yomi

ふか(い
fu　ka　i

Glyph elements [ Toggle Font ]

汕

サン,× bamboo fish trap, weir, basket, netting, trap for fishy-smelling wet slippery meat

　FLUIDS and EMERGE, PEAK SHAPE, GLANS
　

隹

サイ,スイ,とり primate mating stance, male human or bird in courting stance, flaunting one's best point, narcissism, loving oneself in full plumage display or while displaying a plume, public display of affection for one's own bird or pecker

　PERSON PALMING ROD PRICK
…or: CORE EMPHASIS on FLESH SEAM SKILL
…or: HEAD SLIDING on UPRIGHT ROD with PALMING CONTROL of PRICK
…or: EMPHASIS on KERNEL OF HUMAN NATURE and TALENTED HANDS USED TO ACCOMPLISH A TASK
　

淮

ワイ,エ,カイ,× successful mating; public display of affection for one's own kind; gelatinous mass of slime (grated tuber or yam); constant flow of fluids, river

　EMPHASIZED POINT, THIS SPOT RIGHT HERE and CONFORMING, ALLOW, RATIFY, APPROVED, PERMITTED, TO GRANT ACCESS OR PARTICIPATION, IMITATING OTHERS, QUASI-, SEMI-, ASSOCIATED, HORIZONTAL POSITIONING
…or: FLUIDS and MATING STANCE FLAUNTING ONE'S BEST POINT, LOVING ONESELF WHILE DISPLAYING A PLUME, PUBLIC DISPLAY OF AFFECTION
　

山

サン,セン,やま peaked, mountain-like shape, lava cone, eruptions, speculated area to be covered during an examination, wadded bundle of raw sticky threads, rod in sheath cavity, glans penis

　UPRIGHT VERTICAL MOTION within CAVITY
…or: ROD protruding from CAVITY
　

氵

×,さんずい fluidity, fluid

　emphasis on MANY DRIPS, DRIPPING, COOLING PROCESS
…or: MANY TIMES DROPS
　

崔

ガイ,サイ,スイ,がけ highest point, precipitous, on the verge of dropping or releasing droplets, precipitation, moments prior to the climax, precipice at the edge

　ENCHANTING SUCCUBUS FAIRY, WIZARD, TRANSCENDENT, IMMORTAL TAOIST SUPER-BEING with PRICK PALMING
…or: GLANS atop MATING DISPLAY
…or: GLANS of PERSON PALMING PRICK, NARCISSISTIC
　

Meanings of elements

FISH TRAP, WEIR, BASKET NETTING with PRIMATE MATING STANCE
…or: GRATED TUBER ROOT, GELATINOUS MASS OF SLIME, CONSTANT FLUIDS, RIVER with PEAKED LAVA CONE, WADDED RAW STICKY GLANS
…or: FLUID at HIGH POINT, PRECIPITOUS ON THE VERGE OF DROPPING OR RELEASING DROPLETS

Apparently depicts the ability to keep coming, continue with the program, when others might lack the depth or ability to keep it up while generating pool of gelatinous slime: HAVING THE APPEARANCE OF GREAT DEPTH but not in fact being the case necessarily, as the fluids flowing may be due to adding lubricious「grated tuber root」to one's loincloth, or, to additional pus accumulated signaled by the「fish trap weir basket」being worn as a codpiece protective supporter. Note that while bull cattle may be able to virtually orgasm a continuous river of gelatinous slime from the penis, humans can do so only when afflicted with gonorrhea or similar sexually transmissible infections.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: having the appearance of depth
Unihan extended: having the appearance of depth
EDRDG: having the appearance of depth

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.