踅 turning around to go the other way, turn back midway, motion with one leg, hopping, bobbing up and down with one foot 捉,斤,哲,龰,折,足,

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MingLiU:

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Gothic:

踅

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On-yomi [ Toggle rōmaji ]

テイ　･　セツ　･　ゼチ
TE　I　･　SE　TSU　･　ZE　CHI

Kun-yomi

けんけん
ke　n　ke　n

Glyph elements [ Toggle Font ]

捉

ソク,サク,とら clutch, hold tightly, grasp firmly, capture, seize; rapacious

　FIRM GRASP of EROTIC ORIFICE(S)
…or: TALENTED TWO-HANDED USE of ORIFICE in NO-LONGER-INTEGRATED FEET
　

斤

キン,× subtly cruel or malicious, prick-teasing, spiteful; cat-like behavior, pawing and scratching; hatchet, hand axe, hand held in shape of a hatchet in motion; unit of weight (approximately 500-600 grams)

　REPEATED HEAD BOBBING UP AND DOWN CONTINUOUSLY and STIFF ERECTION, QUICK MOVEMENT IN ANY DIRECTION and DOWN, ROD DOWN
　

哲

テツ,さとい,あき,し,さば wisdom, philosophy, a sage, clear thought, wise actions, clever, covering your ass

　SECURE BY RESTRAINT, BUTTON UP AND CLOSE AN ORIFICE with HAND AXE PAWING AND SCRATCHING
…or: USING BOTH HANDS and CHOP above ORIFICE
…or: SECURE BY GRASPING with PRICK-TEASING CAT-LIKE BEHAVIOR, PAWING AND SCRATCHING, HAND MOTIONS
…or: TALENTED USING BOTH OF ONE'S HANDS TO ACCOMPLISH A TASK and PASS JUDGEMENT, HEAR, UNDERSTAND
…or: CHANGE DIRECTIONS, TURN A CORNER, PERFORM A CONVERSION, ENDURE NO LONGER with ORIFICE, PASSAGE OF THE BODY, AN OPENING
…or: USING HANDS to PAW CAT-LIKE at ORIFICE
　

龰

× erotic, erogenous; astride, straddling, mounted; foot, feet, lower legs; erogenous feet; erotically straddling with one foot on each side

　DIVINE with PERSON ADULT MALE
…or: PREPUBESCENT FEMALE and PROSTRATE
…or: DIVINE and TAUT with HEAD
…or: PREPUBESCENT FEMALE on MAN
　

折

セツ,お,おり,～お change directions, turn a corner, perform a conversion, to break, endure no longer, yield, submit; the moment, incident, occasion, occurrence; to fold, to exit play; to rip off, strip off, to skin, to peel off, to flay, to debark

　TALENTED HAND USE and CAT-LIKE PAWING MOTIONS or with HATCHET, SUBTLY CRUEL
…or: HAND USE with a PRICK TEASER
　

足

ソク,あし,た surrogate artificial orifice created by deep skin fold of a disintegrated foot, satisfaction; leg, foot, bound feet, fetters, shackles, hobbles, encumbrance, hindrance or burden, trap, foot-job, gait, pace, supplement, add, sufficient, good enough, counter for pairs of footwear, excessive, to have a lover

　ORIFICE EROTICA
…or: ORIFICE with NO-LONGER-INTEGRATED BOUND FEET
…or: ORIFICE and DIVINE with TAUT ERECTION
…or: FOOT and MOUTH
…or: ORIFICE of DIVINE PERSON
　

Meanings of elements

CLUTCH, HOLD TIGHTLY GRASP FIRMLY, CAPTURE, SEIZE RAPACIOUSLY with SUBTLY CRUEL MALICIOUS PRICK-TEASING SPITEFUL CAT-LIKE BEHAVIOR, PAWING AND SCRATCHING, HATCHET IN MOTION
…or: WISDOM, PHILOSOPHY, A SAGE, CLEAR THOUGHT, NEVER-ENDING, ENDURE FOREVER, THROUGHOUT ALL TIME with EROTIC, EROGENOUS, ASTRIDE STRADDLING, MOUNTED FOOT, LOWER LEG, EROGENOUS EROTICALLY STRADDLING ONE FOOT
…or: CHANGE DIRECTION, TURN A CORNER with SURROGATE ARTIFICIAL ORIFICE CREATED BY DEEP SKIN FOLD OF A NO-LONGER-INTEGRATED FOOT, BOUND FEET, FETTERS, SHACKLES, HOBBLES, ENCUMBRANCE, HINDRANCE OR BURDEN, TRAP
…or: CHANGE DIRECTION, BREAK LEG
…or: SUBTLY CRUEL HAND USE of PRICK TEASER with EROTIC ORIFICE

By the way, no one can「walk with one leg」—try it yourself, and see.
「Wisdom with eroticism」refers to TURNING AROUND MIDWAY, TURNING BACK AND RETURNING home perhaps, and if so then hopping and bobbing upon the「short one leg」might be in order, recalling that the Chinese euphemism for the erect penis is a short leg, not a short arm as in other cultures.
Although, it might have been somewhat entertaining in the perverse sense of humor to witness a person actually attempting to walk with only one leg, normally considered an impossibility…similar to the sound of one hand clapping, perhaps? what were those guys thinking? likely, hopping upon that one leg.
Walking with one leg means the subject must be lame, crippled, disabled, physically deficient, going nowhere but in circles, hobbled, and so forth. Using only one leg at a time of a service provider but「changing directions midway through」that would entail turning and facing the opposite way, assuming she doesn't shift positions. Actually, nothing and nobody can literally walk with just one leg, but a client can use only one leg of a service provider, causing a hopping-like repeated shuttling motion of that foot:
「Qing Dynasty sex manuals listed 48 different ways of playing with women's [no-longer-integrated] feet」(after removing the binding cloths, of course)
[ https://en.wikipedia.org/wiki/Foot_binding 2012-12-17 ]

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: to walk around; turn back midway; walk with one leg
Unihan extended: to walk around; turn back midway

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.