遼 oblivious, out of touch, far out, blinded by a smokescreen, remote and drifting aimlessly 达,辶,辶,夵,丷,曰,小,尞,

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MingLiU:

Mincho:

Gothic:

遼

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On-yomi [ Toggle rōmaji ]

リョウ
RYO　U

Glyph elements [ Toggle Font ]

达

タツ,タチ,テイ,タイ,なめ,すべ,たっす to attain the goal, to reach the climax, to amount to…, actualize, really doing it, slippery and smooth, intelligent, licking, slick, to achieve a dynamic change, well-known and respected, eminent, to communicate

　HEAD on ROD of MALE PERSON within SMOOTH, SLIPPERY SLIDING
…or: STEPS, FOOT MOTION with TWO-HANDED, BOTH HANDS, LARGE, GREAT, GRAND, BIG, MANY
…or: MALE ADULT PERSON and ROD with emphasis on NO-LONGER-INTEGRATED FEET and TAUT
…or: DRIPPING TAUT NO-LONGER-INTEGRATED FOOT and ROD of MALE ADULT PERSON
…or: MOTIONS of a TAUT HAND
　

辶

チャク,しんにょう HTML entity: 辶 foot motions, motion of feet, something in motion, taking steps

　DRIPPING, DRIP BY DRIP, ONE DROP AFTER ANOTHER, COOLING PROCESS, CONGEALING, CHANGE BETWEEN TWO PHYSICAL STATES, CEASE MOTION with TAUT NO-LONGER-INTEGRATED FOOT OF CHINESE FEMALE
…or: DOUBLED EMPHASIZED with TENSION, STRESS WITH SPRING-LIKE ACTION, FOOT and STRETCHED TAUT, THE OTHER SIDE TOO
　

辶

チャク,しんにょう HTML entity: 辶 foot dragging, dragging feet across a surface, foot motions, motion of feet, something in motion, taking steps

　marker on two LAME FEET, TENSION and TAUT, LEASHED
　

夵

　LARGE with SMALL
…or: TWO-HANDED on STREAM OF EMISSIONS, YOUNG, A MINOR, SMALL, PETTY, TINY FLOW
　

丷

× emit upward

　EMISSIONS, EMIT DROPS
　

曰

エツ,いわ,のたま,ここに tonguing something, tongue in a mouth, speak, say; having a reason to do something, pretending, a pretext, excuse given to hide the true reason for something, rod within orifice or mouth

　ROD in ORIFICE, MOUTH
…or: ORIFICE, MOUTH and ARRAYED
…or: RAISED ROD in CAVITY CONTAINMENT
…or: DIVINE, DIVA with IN-OUT, END-TO-END
　

小

ショウ,ちい,こ～,お～,さ～ relatively small condition; small stream of emissions; young, a minor; human mound; deeply felt

　STREAM of EMISSIONS
　

尞

リョウ,かがりび fuel for sacrifices, wet green wood, much smoke when burning, signal fire, flaming rod emissions with tonguing mouth and mons pubis of small youth

　BIG EMISSIONS or WIDE EXTENT OF BURNING ON FIRE FLAMING and SPEAK, SAY with MOUND
…or: FIERY ROD EMISSIONS with TONGUING MOUTH of SMALL YOUTH, MONS PUBIS, MONS VENUS
　

Meanings of elements

ATTAIN, REACH, AMOUNT TO…, ACTUALIZE, COMMUNICATE, SLIPPERY AND SMOOTH with STEPS, FOOT MOTIONS with FAMILY RELATIONSHIPS, DOMINATION, ONE'S DESTINY with EMIT UPWARD SPURTING and with HAVING A REASON TO DO SOMETHING, A PRETEXT, EXCUSE GIVEN TO HIDE THE TRUE REASON FOR SOMETHING with SMALL YOUNG MINOR
…or: STEPS, FOOT DRAGGING, TWO TAUT NO-LONGER-INTEGRATED FEET as FUEL FOR SACRIFICES, FLAMING ROD EMISSIONS with TONGUING MOUTH AND MONS PUBIS OF SMALL YOUTH, WET GREEN WOOD, MUCH SMOKE WHEN BURNING, SIGNAL FIRE

「Motion, steps while in heavy smoke」「wet green wood」normally is incapable of motion per se, but the smoke generated from burning it is capable of motion with the wind and causing a SMOKESCREEN, or to be seen from afar. Being enveloped in heavy smoke is an allegory for being OBLIVIOUS, OUT OF TOUCH, FAR OUT. Maybe a signal fire is needed to gain the person's attention. Perhaps being blinded by a smokescreen.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: short name for Liaoning 遼寧|辽宁 province; Liao or Khitan dynasty (907-1125)
Japanese: Liao, Khitan Empire
Unihan extended: distant, far
EDRDG: distant

Used within names (nanori)
はるか

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.