撩 tease, provoke, lift up a skirt to peer at genitals, pick up, raise up, a peeper, panic, confusion, disorder 扣,扌,夵,丷,曰,尞,

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MingLiU:

Mincho:

Gothic:

撩

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On-yomi [ Toggle rōmaji ]

リョウ　･　ロウ
RYO　U　･　RO　U

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扣

コウ,たた,ひか secure by restraint, to button, fasten, confiscate, to be preparing for, to be waiting for, knock and smash, trumping a pussy, hold in reserve or as a backup system of methods and principles used in a particular discipline, exercising restraint from excessive use

　TALENTED USING BOTH OF ONE'S HANDS TO ACCOMPLISH A TASK with an ORIFICE
　

扌

シュ,× talented, using both of one's hands to accomplish a task

　TALENT
…or: USING BOTH HANDS
…or: ARRAY of STREAMS with SLIDING HEAD IN
　

夵

エン,トウ,すす one's destiny, family relationships, domination, smaller but cleaner, recommended, proceed, advance toward the goal, to progress, to improve

　LARGE with SMALL
…or: TWO-HANDED on STREAM OF EMISSIONS, YOUNG MINOR, SMALL TINY FLOW
　

丷

× emit upward

　EMISSIONS, EMIT DROPS
　

曰

エツ,いわ,のたま,ここに tonguing something, tongue in a mouth, speak, say; having a reason to do something, pretending, a pretext, excuse given to hide the true reason for something, rod within orifice or mouth

　ROD in ORIFICE, MOUTH
…or: ORIFICE, MOUTH and ARRAYED
…or: RAISED ROD in CAVITY CONTAINMENT
…or: DIVINE, DIVA with IN-OUT, END-TO-END
　

尞

リョウ,かがりび fuel for sacrifices, wet green wood, much smoke when burning, signal fire, flaming rod emissions with tonguing mouth and mons pubis of small youth

　BIG EMISSIONS or WIDE EXTENT OF BURNING ON FIRE FLAMING and SPEAK, SAY with MOUND
…or: FIERY ROD EMISSIONS with TONGUING MOUTH of SMALL YOUTH, MONS PUBIS, MONS VENUS
　

Meanings of elements

SECURE BY RESTRAINT, TO BUTTON, FASTEN, CONFISCATE, TO BE PREPARING FOR, TO BE WAITING FOR, KNOCK AND SMASH, TRUMPING A PUSSY with USING BOTH OF ONE'S HANDS TO ACCOMPLISH A TASK and with FAMILY RELATIONSHIPS, DOMINATION, ONE'S DESTINY and EMIT UPWARD with HAVING A REASON TO DO SOMETHING, PRETENDING, A PRETEXT, EXCUSE GIVEN TO HIDE THE TRUE REASON FOR SOMETHING
…or: USING BOTH OF ONE'S HANDS with FUEL FOR SACRIFICES, WET GREEN WOOD, MUCH SMOKE WHEN BURNING, SIGNAL FIRE OF EXTREME DANGER, FLAMING ROD EMISSIONS WITH TONGUING MOUTH AND MONS PUBIS OF SMALL YOUTH

Formerly perhaps LIFTING, raising, PICKING UP pieces of「green firewood to place upon a signal fire or for burning meat sacrifices.」This wood was green, burned with much smoke, and used with signal bonfires to warn of an approaching threat or disaster, so if wood was now being placed by「hand use」upon the burning fire, CONFUSION, DISORDER, PANIC would be the result. The「hand use for lifting」motion as「panic」also depicts a PEEPER, or someone who LIFTS THE HEM OF AN UNSUSPECTING WOMAN'S OUTER GARMENT to peep at whatever is underneath, at her undergarments, if any and causing PANIC…brassieres and underpanties were not actually worn by women wearing a kimono until relatively modern times due to the soft flesh of a woman shaped by the edges of the undergarments being embarrassingly visible under a tight kimono. Some women died (needlessly?) during the firestorms caused the Great Kantō Earthquake of 1923 only due to refusing to leap from the upper floors of burning buildings into waiting nets held by firefighters because they were not wearing any undergarments…such is life: whether the legend of that net-jumping refusal is true or not, in fact, tight-fitting undergarments are not often worn under a kimono, even today.

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: to tease; to provoke; to stir up (emotions); to lift up (sth hanging down); to raise (hem of skirt); to pull up (sleeve); to sprinkle (water with cupped hands)
Japanese EDRDG: disorder
Unihan extended: lift up, raise; leave, depart

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.

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Primal elements

Japanese vocabulary: 2 entries

Chinese usage: 12 entries

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Similar glyphs with related meanings: 50 entries

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