噔 a thud, thump, thumping sound, pity or sympathy 吅,癶,一,䒑,口,登,

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MingLiU:

Mincho:

Gothic:

噔

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On-yomi [ Toggle rōmaji ]

トウ
TO　U

Glyph elements [ Toggle Font ]

吅

× juxtaposed orifices, rowdy behavior; female-female relations

　multiple ORIFICES, MOUTHS
　

癶

ハツ,× feet in some sort of stance, not walking but using legs, unstable; foot use while inverted

　NO-LONGER-INTEGRATED FOOT (sole arch marked) SPURTING
…or: CLEVER STANCE
　

一

イチ,イツ,ひと～ horizontal, array of items, reciprocating lateral motion, indicates width or extent, one segment, rod stalk or stem

　SIDE TO SIDE, BACK AND FORTH
　

䒑

× HTML entity: 䒑 spurting shaft stance stuff flying up

　EMIT an ARRAY
…or: EMISSIONS from ROD SEGMENT
　

口

コウ,ク,くち orifice, mouth, cavity or passage of the body; an opening, aperture, vent

　ORIFICE
　

登

トウ,ドウ,ショウ,チョウ,のぼ,あ promote, move upwards, to mount or to be mounted, to climb aboard, to hop on, ascend, rising, climb; attend to one's duty, entrance, an entry on an official register or document, to record and publish an event; to apply pressure using a foot; to be gathered and taken to the threshing ground for separation of the outer protective skin from the harvest

　FOOT STANCE over ROD SPURTING UPWARD with ORIFICE
…or: FEET IN SOME SORT OF STANCE, NOT WALKING BUT USING LEGS, FOOT USE WHILE INVERTED with CLITORIS, CLITORIS-SHAPED, MINIATURE, FEMALE GENITALIA, THE BEAN, SACRIFICIAL VESSEL, TROPHY, PRIZE
　

Meanings of elements

ROWDY BEHAVIOR IN JUXTAPOSED ORIFICES, FEMALE-FEMALE RELATIONS with FEET IN SOME SORT OF STANCE, NOT WALKING BUT USING LEGS, UNSTABLE, INVERTED with LATERAL RECIPROCATING ROD MOTION, INDICATES WIDTH OR EXTENT, ONE and SPURTING SHAFT STANCE, PERCOLATING GUSHING HOT FLUIDS
…or: ORIFICE, MOUTH, CAVITY OF THE BODY with PROMOTED, MOVE UPWARDS, TO MOUNT OR TO BE MOUNTED, TO CLIMB ABOARD, TO HOP ON, ASCEND, RISING, CLIMB, ATTEND TO ONE'S DUTY, ENTRANCE, AN ENTRY ON AN OFFICIAL REGISTER, TO RECORD AN EVENT, TO BE GATHERED AND TAKEN TO THE THRESHING GROUND FOR SEPARATION OF THE OUTER PROTECTIVE SKIN FROM THE HARVEST

「Open orifice and climbing aboard, hopping on, doing one's duty, official entry」being the THUD sound generated as the new owner takes possession and initially reams the goods in one orifice or another, THUMPING and humping outrageously, eliciting some PITY, SYMPATHY from bystanders (「female-female relations」) and those who were before her who know the pain of being deflowered by a brute and the SOUND OF RAMMING MEAT.
　Or on the contrary,「open orifice with clitoris meat pulled」here as「opened hole of meat spurts with clitoris.」Perhaps referred to an already「opened orifice」discovered during the initial inspection of a newly purchased concubine, someone who fails to pass muster as it were (僜), hence acceptance and delivery is refused by the lord…the only option is for the goods to be dumped, transferred to the service industry, putting the asset to use as a common service provider in the shaman's cave o' wonders: THUD, SOUND OF FALLING OR DROPPED MEAT, PITY, SYMPATHY for someone not able to enter glamorous harem life with a lord, but instead be doomed to suck and swallow gleet from a long chain of clients day in and day out until death.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: (onom.) thud; thump
Unihan extended: syllable; for (a recipient of pity or sympathy)
EDRDG: syllable

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.