醅 fermentation process; unstrained spirit, blowing chunks 酉,咅,

MingLiU:

Mincho:

Gothic:

醅

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On-yomi [ Toggle rōmaji ]

ハイ　･　フウ　･　フ
HA　I　･　FU　U　･　FU

Kun-yomi

どぶろく
do　bu　ro　ku

Glyph elements [ Toggle Font ]

酉

ユウ,とり cock, cocky, wine in jar, wine jar, bird

　TIPSY UNSTABLE STANCE on ORIFICE in LATERAL MOTION
…or: ONE COPULATING with ONE IN WINE JAR
…or: BALD ARRAY of ORIFICES
…or: ONE COPULATING with ROD SEGMENT, INDICATES WIDTH OR EXTENT in ORIFICE
　

咅

トウ,つばをはいていな spew from, spit out, spawned, spurt, sprayed and squirted in any or all directions

　STANDING ERECT PENIS and ORIFICE
　

Meanings of elements

COCK, COCKY WINE IN JAR and SPEW, SPIT, SPAWNED, SPURT, SPRAYED AND SQUIRTED IN ANY OR ALL DIRECTIONS

「Alcohol spurting in all directions.」…fermentation produces carbon dioxide gas, causing spurts with a spirited discharge of alcoholic beverages after popping the cork.「Cock spurting in all directions」as unstrained, raw unfiltered with a spirited discharge after 'popping the cork into flower petals, skin flutes.' Blowing chunks as an unstrained discharge after overconsumption of alcoholic beverages, a toxin let's not forget, and popping the cork with reverse esophageal peristalsis.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: unstrained spirits
Unihan extended: unstrained spirits
EDRDG: unstrained spirits

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.