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MingLiU:
Mincho:
Gothic:
靣
靣

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On-yomi   [ Toggle rōmaji ]
メン ・ ベン
ME N ・ BE N
Kun-yomi
おも ・ おもて ・ つら
o mo ・ o mo te ・ tsu ra

Glyph elements  [ Toggle Font ]

Meanings of elements
ROD FACING another ROD
…or: ROD with WELL-SUITED, INCLINED TO HAVE with ROD inside SPREAD LEGS of VAGINA
…or: ONE ROD with emphasis on CAPTIVE ORIFICE, CYCLE NUMBER OF TIMES, RETURN AGAIN, COUNTER FOR NUMBER OF OCCURRENCES, CURVED
…or: ROD with emphasis on ANNULUS COCKRING
「Rod inclined to, facing, turned toward, to be well suited for another rod in spread legs」certainly raises the issue of cock-to-cock male homosexuality. Exactly what it is that scenario might be FRAMING may relate to male frottage foreskin fun, the FRONT SIDES facing off.「Rod with emphasis on number of times, a cycle of the same event」ought to be inspected on its SURFACE, EXTERNAL APPEARANCE and from various ASPECTS in order to detect any anomalies symptomatic of some potentially contagious health hazard, a prerequisite to the face-off as the method of starting play.
「Rod with emphasis on annulus cockring」is obviously within a FRAME (a round frame, a structure that gives shape or support…who says frames must only be rectangular?), and used for MASKING a problem ON THE FRONT SIDE by maintaining an erect posture, the EXTERNAL APPEARANCE but not necessarily the internal reality, as a tool enabling「rod with emphasis on number of times in cycles.」
「One, rod with emphasis on captive orifice」or「rod with emphasis on many cycles, many times」suggests the need for a MASK, putting on a false FACE, putting up a FRONT, the SURFACE, EXTERNAL APPEARANCE (see 面), what someone shows to others when being viewed in a situation from the outside, the outward appearance hiding inner truth, hidden behind a superficial surface, what may be apparent but not reality, MASKING the truth and so forth. The inner truth in the case of these elements is holding captive orifices as sex slave(s) who were stolen perhaps and not fully paid for back in those days.
「An animal pen or corral full of orifices」also as how others perceived the lord, owner, master, emperor with his harem of herd meat assets, who needed to always put up his own FRONT, an APPEARANCE of wealth, prosperity, forming perfect unions of his desire, having insured his own domestic tranquility, provided for his common defense against disease, promoting his general welfare, and having secured the blessings of fornicating license to himself and his male posterity in the endless human pursuit of happiness ('fornicate' is from the Latin 'fornix' meaning a secure vault with a brothel situated therein).

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: variant of 面

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.


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