夨 distorted 大,ㄅ,一,乀,

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MingLiU:

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Gothic:

夨

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On-yomi [ Toggle rōmaji ]

ショク　･　シキ　･　レツ　･　レチ
SHO　KU　･　SHI　KI　･　RE　TSU　･　RE　CHI

Kun-yomi

かたむ(ける
ka　ta　mu　ke　ru

Glyph elements [ Toggle Font ]

大

ダイ,タイ,おお～,～おお relatively big condition; two-handed both hands

　ROD TAUT and ERECT
…or: HAND TAUT
…or: HAND with marker for other hand, too
…or: ROD of MALE ADULT
　

ㄅ

× tension gasping taut spring-like action, unbound busted foot of dynastic China, painful stress

　ELASTIC POTENTIAL STRAIN ENERGY, FLEXIBLY BENDED AND SPRINGY, FLECTURE TENSION
　

一

イチ,イツ,ひと～ horizontal, array of items, reciprocating lateral motion, indicates width or extent, one segment, rod stalk or stem

　SIDE TO SIDE, BACK AND FORTH
　

乀

フツ,ブチ,ま stretched taut; leashed under control of another; the other side (of something)

　STRETCHED TAUT
　

Meanings of elements

TAUT ROD within NO-LONGER-INTEGRATED FOOT
…or: NO-LONGER-INTEGRATED FOOT in TWO HANDS
…or: NO-LONGER-INTEGRATED FOOT ARRAYED with OTHER SIDE TOO

Element meaning DISTORTION using「no-longer-integrated foot in two hands」or「rod within no-longer-integrated foot and taut」as clearly a great example of things DISTORTED:「1. To twist out of a proper or natural relation of parts. Misshapen. 2. To cause to deviate from what is normal, reasonable, or accurate」
　　[　https://www.thefreedictionary.com/distort　]　
　When used in other glyphs, perhaps merging elements of「two hands in high tension for a long time」holding those no-longer-integrated feet, DISTORTED. See 呉 and 吴 that describe the lower element (subject glyph) as a replacement for 'heaven' that also implies being some sort of a distorted deviation from what is normal, reasonable, or accurate, per the Chinese sages. Obviously equating erotic no-longer-integrated feet with a heavenly experience, a distortion of reality.「no-longer-integrated foot with one taut」or「arrayed taut with the other side too」describes these feet of a service provider being put to use by a client, and being bound with long cloths until the next work shift.

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.