速 speed, velocity; quick, fast (motion); prompt; hasten, expedite 迚,辷,辻,𨑕,中,十,木,口,ハ,辶,辶,束,

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MingLiU:

Mincho:

Gothic:

速

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On-yomi [ Toggle rōmaji ]

ソク
SO　KU

Kun-yomi

はや(い　･　はや～　･　はや(める　･　すみ(やか
ha　ya　i　･　ha　ya～　･　ha　ya　me　ru　･　su　mi　ya　ka

Glyph elements [ Toggle Font ]

迚

×,とても very; somehow, in some way or another

　STEPS to VULVA, ROD in JUXTAPOSED ORIFICES
…or: STEPS, MOTIONS to HIT THE 'BULL'S EYE'
…or: STEPS, MOTIONS and THE INSIDE, AMONG, TWO-SIDED, THROUGHOUT
　

辷

×,すべ smooth, slippery; slide or skate; to fail; sliding with feet

　STEPS, FOOT MOTION and LATERAL MOTION
…or: ROD with emphasis on TWO NO-LONGER-INTEGRATED FEET and TAUT
　

辻

×,つじ intersect, intersection; motions twisting together

　SLIPPERY SLIDING with ROD in RECIPROCAL MOTIONS
…or: STEPS, FOOT MOTION and SCREWING, CROSSED, BLOCKED, TURNING
　

𨑕

× HTML entity: 𨑕 dynastic Chinese service provider, prostitute, concubine, slit of disintegrated foot; to violate, to do violence to

　FOOT DRAGGING with ORIFICE
…or: MOTIONS of FOOT with ORIFICE
…or: emphasis on TAUT NO-LONGER-INTEGRATED FOOT with ORIFICE
　

中

チュウ,なか,うち,あた to hit the 'bull's eye' while doing (something), middle, center, within, on the inside, among; two-sided, throughout; vulva, Mother China

　ROD in ORIFICE
…or: ORIFICE TOP TO BOTTOM
…or: ROD in JUXTAPOSED ORIFICES, ROWDY BEHAVIOR
…or: SCREWING in CAVITY
…or: SCREWING in SPREAD LEGS
　

十

ジュウ,ジッ,ジュッ,とお filled completely, perfectly full; screwing, rotating, twisting, turning; crossed shape; closing a hole or other opening, plugged, blocked; needle; ten

　VERTICALLY and HORIZONTALLY
…or: TOP TO BOTTOM and SIDE TO SIDE
　

木

ボク,モク,き,こ～ wood, woody stalk, stem, wooden, a woody, tree, implanted, simple, simpleton, coffin, encased death, unfeeling, numb

　TWISTING a TAUT HEAD
…or: SCREWING EMISSIONS
…or: HAND on TAUT ROD
　

口

コウ,ク,くち orifice, mouth, cavity or passage of the body; an opening, aperture, vent

　ORIFICE
　

ハ

× HTML entity: ハ emit downward

　EMISSIONS, EMIT DROPS
…or: HEAD TAUT
　

辶

チャク,しんにょう HTML entity: 辶 foot motions, motion of feet, something in motion, taking steps

　DRIPPING, DRIP BY DRIP, ONE DROP AFTER ANOTHER, COOLING PROCESS, CONGEALING, CHANGE BETWEEN TWO PHYSICAL STATES, CEASE MOTION with TAUT NO-LONGER-INTEGRATED FOOT OF CHINESE FEMALE
…or: DOUBLED EMPHASIZED with TENSION, STRESS WITH SPRING-LIKE ACTION, FOOT and STRETCHED TAUT, THE OTHER SIDE TOO
　

辶

チャク,しんにょう HTML entity: 辶 foot dragging, dragging feet across a surface, foot motions, motion of feet, something in motion, taking steps

　marker on two LAME FEET, TENSION and TAUT, LEASHED
　

束

ソク,たば,つか in a group bunched together; to bind, bound, tied, handle, manage, control, administer; bundled together, cluster; bundle of flashes

　VULVA, JUXTAPOSED ORIFICES with TREE, POLE, WOODY
…or: ORIFICE or TWO, ROWDY BEHAVIOR for WOODY
…or: WOODY in ORIFICE
…or: ROD in VULVA with EMISSIONS
…or: SCREWING in ORIFICE with EMISSIONS
　

Meanings of elements

WOODY within ORIFICE of DYNASTIC CHINESE SERVICE PROVIDER, PROSTITUTE, CONCUBINE
…or: FOOT MOTION DRAGGING FEET ACROSS A SURFACE and IN A GROUP BUNCHED TOGETHER, BOUND, TIED, HANDLE, MANAGE, CONTROL, ADMINISTER BUNDLED TOGETHER, CLUSTER BUNDLE OF FLASHES
…or: MANAGEMENT of FOOT MOTIONS
…or: VERY, SOMEHOW with ROD EMISSIONS
…or: SLIPPERY SLIDE with VULVA EMISSIONS
…or: INTERSECTING MOTIONS SCREWING with ORIFICE EMISSIONS
…or: STEPS TO HIT THE 'BULL'S EYE' with EMISSION ARRAY
…or: STEPS, MOTION of WOOD in JUXTAPOSED ORIFICES
…or: MOTIONS SOME WAY OR ANOTHER of WOODY IN ORIFICE

「Motion of woody within orifice」to describe FAST, SPEEDY, QUICK action that perhaps needs no further explanation and applies to most animal species in which the male possesses a phallus. Interestingly, some dictionaries defind SPEED as 'body movement expressed as the distance traveled divided by the time required' and that fits these elements as well. During the act of copulation, all participants are at greater risk of predation while attention is focused upon EXPEDITING DELIVERY of the stuff, eyeing places in the immediate surroundings rather than scouting the vicinity for danger, let alone the inability or lack of desire to flee the scene until consummation of the deed.
「Foot motions」with「manage, cluster, bundled」when considering how no-longer-integrated feet were primarily put to use by clients in dynastic China indicate FAST MOTIONS, SPEEDY, QUICK actions.
「Motions」with「tied, bundled vulva for woody」as new harem candidates must be SPEEDY and managed properly to avoid late delivery, attacks from bandits, attacks from their own guards, simple escape by the girls, and so on. See the glyph, 'breaching one's fiduciary duty, reneging on a responsibility' (賴).
Be sure to see the other glyphs that share the Japanese pronunciation, すみ: 叕, 侚, 炭, 速, 陬, 寁, 焏, 隅, 隈, 墨, 綴, 遬, and 墨.

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: fast; rapid; quick; velocity
Japanese EDRDG: quick, fast
Unihan extended: quick, prompt, speedy

Used within names (nanori)
わ

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.