遣 send someone, dispatch on an errand, manipulate, to act, do, use (crude form), animal tamer, trainer, familiar spirit, envoy, the messenger with a mission 迚,辷,追,辶,辶,中,一,㠯,

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MingLiU:

Mincho:

Gothic:

遣

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On-yomi [ Toggle rōmaji ]

ケン
KE　N

Kun-yomi

つか(う　･　～つか(い　･　～づか(い　･　つか(わす　･　や(る
tsu　ka　u　･　～tsu　ka　i　･　～dzu　ka　i　･　tsu　ka　wa　su　･　ya　ru

Glyph elements [ Toggle Font ]

迚

×,とても very; somehow, in some way or another

　STEPS to VULVA, ROD in JUXTAPOSED ORIFICES
…or: STEPS, MOTIONS to HIT THE 'BULL'S EYE'
…or: STEPS, MOTIONS and THE INSIDE, AMONG, TWO-SIDED, THROUGHOUT
　

辷

×,すべ smooth, slippery; slide or skate; to fail; sliding with feet

　STEPS, FOOT MOTION and LATERAL MOTION
…or: ROD with emphasis on TWO NO-LONGER-INTEGRATED FEET and TAUT
　

追

ツイ,お chase after, pursue, follow, to desire ardently, to do one's utmost to obtain, to sculpt in softened clay, instrument for making musical sounds such as tooting; [in Japanese, also opposite meanings] chase off, drive away, disperse; to do afterward, lastly

　MOTION with BUTTOCKS HOLE, an ASSHOLE
…or: MOTIONS, STEPS with emphasis on RECIPROCATING ROD with JUXTAPOSED ORIFICES
…or: MOTIONS with ATTRACTIVE OVER-UNDER ORIFICES IN THE LORDOSIS SERVICING POSITION PROCEPTIVE PHASE, COURTING IN-YOUR-FACE FEMALE
　

辶

チャク,しんにょう HTML entity: 辶 foot motions, motion of feet, something in motion, taking steps

　DRIPPING, DRIP BY DRIP, ONE DROP AFTER ANOTHER, COOLING PROCESS, CONGEALING, CHANGE BETWEEN TWO PHYSICAL STATES, CEASE MOTION with TAUT NO-LONGER-INTEGRATED FOOT OF CHINESE FEMALE
…or: DOUBLED EMPHASIZED with TENSION, STRESS WITH SPRING-LIKE ACTION, FOOT and STRETCHED TAUT, THE OTHER SIDE TOO
　

辶

チャク,しんにょう HTML entity: 辶 foot dragging, dragging feet across a surface, foot motions, motion of feet, something in motion, taking steps

　marker on two LAME FEET, TENSION and TAUT, LEASHED
　

中

チュウ,なか,うち,あた to hit the 'bull's eye' while doing (something), middle, center, within, on the inside, among; two-sided, throughout; vulva, Mother China

　ROD in ORIFICE
…or: ORIFICE TOP TO BOTTOM
…or: ROD in JUXTAPOSED ORIFICES, ROWDY BEHAVIOR
…or: SCREWING in CAVITY
…or: SCREWING in SPREAD LEGS
　

一

イチ,イツ,ひと～ horizontal, array of items, reciprocating lateral motion, indicates width or extent, one segment, rod stalk or stem

　SIDE TO SIDE, BACK AND FORTH
　

㠯

× to use, according to; what something is for

　VERTICAL RECIPROCATING MOTION ROD attached to WEAPONIZED FOOT ARCH
…or: VERTICAL RECIPROCATING MOTION ROD and TWO ENDS OF SOMETHING MAKE CONTACT, IN-AND-OUT with ORIFICE, CAVITY
…or: ROD, RECIPROCATING MOTION and multiple CAVITIES, ORIFICES
…or: CONNECTED ORIFICES
　

Meanings of elements

SOMEHOW SOME WAY OR ANOTHER with ARRAY of BUTTOCKS
…or: SMOOTH, SLIPPERY SLIDING OR SKATING with VULVA, ROD IN ORIFICE(S) and USE ACCORDING TO WHAT SOMETHING IS FOR, INTENDED PURPOSE
…or: IN PURSUIT of GATHERING HAREM, ARRAY of VULVA
…or: FOOT MOTIONS with ROD in VULVA and ANUS, JUXTAPOSED ORIFICES
…or: STEPS for DOING IT (crude form)

Seems to merge 追 and 貴. Top-right element refers to「gathering vulva」that some scholars suggest as special, specifically desired persons and carrying them back to the lord for his harem. Elements then suggest the「motions of following and gathering vulva and connected orifices.」…it therefore is no surprise that this glyph expresses a CRUDE FORM OF DISPATCHING someone on the quintessential ERRAND (as in, a「subordinate gathering wanted items」), otherwise known as BEING ON A MISSION. Also a crude expression of「to do」as in literally,「steps taken with gathered vulva and buttocks」to do yourself. MANIPULATE in English also means to「use your hands」and this glyph depicts the body parts on which hands were used (see 央). Interestingly, in Chinese this glyph also refers to「killing time, diversions from loneliness, entertaining oneself」and in that sense likely in reference to bored harem girls manipulating themselves or doing one another to while away the days and nights when not called for duty,「crudely doing」what humans do (with these elements suggestive of both orifices), donating services to one another.

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: dispatch
Japanese EDRDG: dispatch, despatch, send, give, donate, do, undertake
Unihan extended: send, dispatch; send off, exile

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.