漫 act freely, unrestrained; inundate, random flow, overflow flooding; distraction, aimless (doing something without knowing why); indiscriminate, inexorable, involuntary; diffuse, random, rambling 汩,汉,冃,罒,氵,曼,

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漫

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On-yomi [ Toggle rōmaji ]

マン
MA　N

Kun-yomi

みだり(に　･　そぞ(ろ
mi　da　ri　ni　･　so　zo　ro

Glyph elements [ Toggle Font ]

汩

コツ,イツ,ベキ,しず to sink or drown, to be suffocated with fluids

　FLUID and TONGUE SHOWN IN MOUTH
　

汉

× man, men, males, Chinese people; Chinese language

　FLUID with CROTCH, AGAIN
　

冃

ボウ,モウ,ずきん,おお throbbing, pulsating; repeated series of swelling and shrinking, turgid and flaccid; something covering a head

　CHANGING STATE within SPREAD LEGS
…or: SPREAD LEGS DOUBLE WIDE
…or: TWICE in SPREAD LEGS
　

罒

モウ,ボウ,あみがしら,よこめ netting, weaving within spread legs, snare, claptrap

　THE GOODS as ARRAY OF ORIFICES
…or: SPREAD LEGS with WEAVING INSIDE
…or: SPREAD LEGS with SPURTING STANCE
　

氵

×,さんずい fluidity, fluid

　emphasis on MANY DRIPS, DRIPPING, COOLING PROCESS
…or: MANY TIMES DROPS
　

曼

マン,バン,なが large and long, puffed up, swollen, pride-filled; expanding, handsome

　THROBBING with NETTING in CROTCH
　

Meanings of elements

DROWN, SUFFOCATED IN FLUIDS with NETTED, SNARED CROTCHES
…or: HELMETED CHINESE PEOPLE and with WEAVING WITHIN SPREAD LEGS, SNARED, TRAPPED
…or: FLUIDS with REPEATED SERIES OF SWELLING AND SHRINKING IN SPREAD LEGS of TRAPPED CROTCH
…or: FLUID with SOMETHING SWOLLEN EXPANDING, PUFFED UP

Right element of「pulsating, throbbing meat of crotch」with「flow, liquid」as AIMLESS, but INEXORABLE, OBSESSIVE, INVOLUNTARY (as in, not under one's control any longer).「Expansive, random flow, inundate, flowing everywhere」depicting random flooding, or, other spurting fluids, due to a worsening infection or within「swelling, puffed up, expanding」of a rotting corpse.
　「Fluid flow of helmeted troops with snared, captured crotch」of a concubine corpse, in gorgeous voluptuous sexual morally abhorrent female genitalia as a dead rancid vessel (seen in other glyphs): OVERFLOWING, FILLED BEYOND RATED CAPACITY, TO INUNDATE, describing NECROPHILIA WITH BEAUTIFUL CONCUBINE CORPSES AS SPOILS OF WAR and filling their dead orifices overflowing with semen and other fluids ejaculated by an army of invading troops.
　Captive females, those remaining alive, might have presented meat that seems to have died, lifeless during the rape, and, some were compliant perhaps, but remember that the same thing could be said about a corpse. Soldiers often violated the slain corpses of enemies in a necrophiliac manner as well (showing them 'who was boss'). See 失, 鐡, and 鐵 for details.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: free; unrestrained; to inundate
Japanese: selfish, with disregard for order or rules, reckless, rash, careless, loose, bawdy, irrational, illogical, restless, on edge, distracted, for some reason, vast, boundless, in spite of oneself, somehow, without knowing why, vaguely
Unihan extended: overflow of water; spreading
EDRDG: cartoon; involuntarily; unrestrained; in spite of oneself; corrupt

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.