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  • Glyph.00098
  • Strokes: 03
  • elements


MingLiU:
Mincho:
Gothic:
亍
亍

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On-yomi   [ Toggle rōmaji ]
チョク
CHO KU
Kun-yomi
たたず(む
ta ta zu mu

Glyph elements  [ Toggle Font ]

Meanings of elements
CHANGE OF PHYSICAL STATE with STREAM OF FLUID
…or: RECIPROCATING LATERAL ROD STALK with MALE ADULT BLASTING DISCHARGE FROM A BARREL
Scholars claim these element are the symmetrical image of 彳: an「array, line of males」who all are TAKING SMALL STEPS (with only the right foot…?), leading to a person HOPPING ABOUT in a small circle. Perhaps so, as if something in his loincloth were flaming? no, that's ridiculous, but hopping about with only one foot, and「rod blasting a flaming discharge」does clearly describe the manner in which dynastic era Chinese males masturbated with one no-longer-integrated foot of a prostituting service provider—see erotic Chinese art for details, and a thousand or so other glyphs in this database that clearly describe this behavior. Begin with the glyph element ㄅ
「Bound feet were once considered intensely erotic in Chinese culture…Qing Dynasty sex manuals listed 48 different ways of playing with women's [no-longer-integrated] bound feet」(after removing the binding cloths, of course)
[ https://en.wikipedia.org/wiki/Foot_binding 2012-12-17 ]
Elements are「rod of male adult, blasting discharge, change of state growing longer with streaming」that the Chinese source defines as BUTYL, a hydrocarbon radical (C4H9) used in making gasoline components due to its high flammability.
What occurs when many people are STANDING IDLY in a line that is progressing only slowly, folks milling about with PURPOSELESS MOTIONS…but all of them with a singleness of purpose nonetheless. A「line of blasting rods」may be the reason for the long line, with a man or boy holding his 'burning shaft' while standing in the waiting line outside the cave o' wonders (see related glyph, 火 as「emissions of person, taut erection」or possible as「in pursuit of service provider, sitting person」).
Despite the shape of the strokes today, scholars conjecture that 亍 is 'stepping with the right foot' as a mirrored element of 'stepping with the left foot' (彳) and together forming the glyph「to go.」…nevertheless, stepping only with one foot (either the left or the right) and assuming that while doing so the subject does not fall down, normally causes movement within a fairly small circle, no matter how large or small the steps taken happen to be, or, causes one to drag a foot as might Igor the hunchback. However, both left and right feet in purposeless motion aimlessly does apply to a line of males loitering in a brothel queue and dawdling whilst awaiting admittance. See 行 for the actual integrated meaning of the elements and all its various applications.

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: step with the right foot
Japanese EDRDG: to take small steps
Unihan extended: to take small steps

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.


Related glyphs [ Toggle font ]


  • Glyph.00098
  • Strokes: 03
  • elements

   


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