蹈 to appraise; trample, stamp, stomp, evade payment, to fulfill a promise; dance and skip 𧾷,ー,⺍,爫,臼,舀,

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MingLiU:

Mincho:

Gothic:

蹈

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On-yomi [ Toggle rōmaji ]

トウ
TO　U

Kun-yomi

ふ(む
fu　mu

Glyph elements [ Toggle Font ]

𧾷

× HTML entity: 𧾷 surrogate artificial orifice created by deep skin fold of a disintegrated foot; leg, foot, bound feet, fetters, shackles, hobbles, encumbrance, hindrance or burden, trap, foot-job, gait, pace, supplement, add, sufficient, good enough, counter for pairs of footwear, excessive, to have a lover

　ORIFICE of NO-LONGER-INTEGRATED FEET
…or: ORIFICE EROTICA
…or: ORIFICE within FOOT SKIN FOLD
…or: ORIFICE with DIVA'S RAISED LEG and CRESTING CONDITIONS WHEN ONE'S ROD IS RAISED
　

ー

× HTML entity: ー repeated, bobbing

　REPEATED BOBBING
　

⺍

× HTML entity: ⺍ dazzle, flashes; fiery, light rays, sparkle, flames; loose stuff spewing

　emphasis on EMISSIONS
　

爫

× hand or claw reaching

　REPEATED BOBBING UP AND DOWN CONTINUOUSLY and DAZZLE, FLASHES, FIERY, SPARKLE, FLAMES, LOOSE STUFF SPEWING
…or: CLAWING AT, SCRATCHING AT, HAND REACHING OR GRASPING
…or: REPEATED EMISSIONS DOWN with emphasis
　

臼

キュウ,グ,うす,うすづ cavity with two sets of lips, any space between bones, place for pounding and grinding, trap, mortar, mincing raw meat

　CAVITY with TWO SETS OF LIPS
…or: REPEATEDLY ROD(S) in CAVITY
…or: BOBBING HEAD with ROD RAISED and FIRM GRASP
…or: multiple DISEASED PENIS, SWINE'S SNOUT, PIG'S HEAD, DOG SNOUT (as euphemisms) within CAVITY
　

舀

⺕ウ,く dip into, dazzling a cavity with two sets of lips, scooping meat, cleaning out a cavity; digital penetration, clawing at cavity with two sets of lips

　REPEATEDLY DAZZLE or MEAT and CAVITY WITH TWO SETS OF LIPS
…or: HAND REACHING, CLAWING into CAVITY WITH TWO SETS OF LIPS
…or: REPEATEDLY BOBBING HEAD of ROD ERECTION TAUT with CAVITY HAVING TWO SETS OF LIPS
　

Meanings of elements

DEEP SKIN FOLD OF NO-LONGER-INTEGRATED FOOT and DIP INTO, DAZZLING CAVITY WITH TWO SETS OF LIPS, SCOOPING MEAT
…or: DEEP SKIN FOLD OF NO-LONGER-INTEGRATED FOOT with STUFF FLYING OUT REPEATEDLY as with SCOOPING MEAT, CAVITY WITH TWO SETS OF LIPS

「Dipping into the meat of no-longer-integrated feet cavities」with the two sets of lips referring to either both feet pressed together, or, the inner and outer edge of the foot sole. It is highly unlikely that the concubine was stomping, trampling or dancing, given the condition of her no-longer-integrated feet—they may have been many other things to many people, but females with completely crushed feet were not dancing girls, literally.「Concubine feet scoop」suggests the foot action more as that of the patrons, with the service provider's no-longer-integrated feet as the receptacle of various discharged client fluids, but the up and down motion of both legs being manipulated by the client like a puppet as the girl lay upon her back was euphemistically DANCING. And sometimes, after the girl FULFILLS HER PROMISE and the client feels FULFILLED, or a foot pouch is filled full, the client then proceeds to begin STOMPING UPON, TRAMPLING the service provider, DANCING, WALTZING OFF, and EVADING PAYMENT, SKIPPING OUT…how can she possibly give chase? see the glyph meaning「police」(警) for details.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: to tread on; to trample; to stamp; to fulfill
Unihan extended: stamp feet; dance
EDRDG: step on; trample; carry through; appraise; evade payment

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.