趯 jumping, leaping, screaming, cry for help, a strong and urgent appeal 堆,龰, …or: …or:,走,翟,

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MingLiU:

Mincho:

Gothic:

趯

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On-yomi [ Toggle rōmaji ]

カン　･　ヤク
KA　N　･　YA　KU

Kun-yomi

さけ(ぶ
sa　ke　bu

Glyph elements [ Toggle Font ]

堆

タイ,ツイ,うずたか amassing, heaping up, piled up and gathering in one place, human clustering, clusterfuck

　GROUND with MATING DISPLAY
…or: SOIL, FECES with NARCISSISTIC MALES SEEKING MATES
…or: FECES with PERSON PALMING PRICK
　

龰

× erotic, erogenous; astride, straddling, mounted; foot, feet, lower legs; erogenous feet; erotically straddling with one foot on each side

　DIVINE with PERSON ADULT MALE
…or: PREPUBESCENT FEMALE and PROSTRATE
…or: DIVINE and TAUT with HEAD
…or: PREPUBESCENT FEMALE on MAN
　

…or:
…or:

走

ソウ,はし to run, walk, go or to move feet; to change shape or meaning, to leave home; spring spawning, first harvest

　GROUND and RAISED FEET
…or: NIGHT SOIL with ASTRIDE, STRADDLING, MOUNTED
…or: FECES with EROTICA
　

翟

ケキ,ジャク,タク,タイ,きじ beautiful young bird, long plumes in the sky, pheasant

　WINGS IN TRAINING of BIRD with PLUMAGE
…or: PRACTICING COURTSHIP DISPLAY
…or: NO-LONGER-INTEGRATED-FEET SET with MALE IN MATING STANCE PALMING PRICK
…or: GELATINOUS MASS OF SLIME, GRATING TUBERS and CONGEALED inside two NO-LONGER-INTEGRATED FEET
　

Meanings of elements

AMASSED HEAP, PILED GATHERING, HUMAN CLUSTERING, A CLUSTERFUCK with EROTIC STRADDLING and with BIRD CHICKS, BUNNIES AND CONEYS, PLUMES OF STUFF, SERVICE PROVIDERS IN TRAINING, multiple NO-LONGER-INTEGRATED TENSE GASPING with INNER DRIPPINGS
…or: ENTER, FLY with PRIMATE MATING STANCE, MALE NARCISSISM, DISPLAY OF AFFECTION FOR ONE'S OWN PECKER
…or: RUNNING, MOVE FEET, CHANGE SHAPE OR MEANING, SPAWNING, FIRST HARVEST with BEAUTIFUL YOUNG BIRD, LONG PLUMES, PHEASANT GUSHING

Pheasant, a bird remarkable for straight-up vertical takeoffs, that JUMP or LEAP before actual flight, and, has clawed feet that remarkably resemble the no-longer-integrated and bound feet of a concubine (left element):「They can fly and launch themselves airborne with an abrupt, noisy takeoff, but typically run from trouble. Pheasant flights are merely short-distance dashes for cover.」
[ https://www.nationalgeographic.com/animals/birds/facts/common-pheasant 2023-05-17 ]
Interestingly, some Japanese versions of this glyph use multiple「grasping and reaming」(⺕) elements or「gushing chunks」(勿, without the 'head' attached) rather than the two congealing no-longer-integrated feet elements used in traditional Chinese glyphs, yet both sets of elements could describe a「plume」only that in the Japanese case the referent may be to release of a long, arching discharge of fluids under pressure by a medical services provider rather than to no-longer-integrated feet that were not commonly found in Japan. Needless to point out perhaps is that the Chinese uses of two no-longer-integrated feet (羽) also were designed to cause the same sort of release of fluids under pressure in long, arching spurts and gushing chunks.

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: to jump; to jump; way of stroke in calligraphy
Japanese EDRDG: jump
Unihan extended: jump

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.