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On-yomi   [ Toggle rōmaji ]
ト ・ トウ
TO ・ TO U

Glyph elements  [ Toggle Font ]

Meanings of elements
CONGEAL, DRIPPING and REPEATEDLY with VERTICAL MOTION, ROD
…or: TWO with TOP-TO-BOTTOM and NO-LONGER-INTEGRATED HORIZONTAL or REPEATEDLY
「Two」or「congealing」or「multiple drops, dripping」of something, with「vertical, rod」overlapping a smashed「horizontal」in a sort of mishmash to mean INTERNALLY DIVIDED, noting the horizontal stroke is somewhat different from that of「repeatedly bobbing」() and looks more as if「horizontal」has been no-longer-integrated or stomped on one side and is now askew, suggesting a relationship with NEEDED BALANCE and POSITIONING to avoid falling over, or to adjust shape and consistency. Used as an element within both ear () and pregnant () as two examples of internally divided body parts, although this element is no longer apparent except within old writing styles.
 Meaning DIPPER, SCOOP (as do , , , , , etc.) and used to represent the no-longer-integrated feet of a concubine as an example of a body part BROKEN INTO LARGE CHUNKS INTERNALLY but NOT FULLY SEPARATED, still held together by skin and ligaments but with all the internal bones no-longer-integrated into two large portions. Each no-longer-integrated foot NEEDED BALANCE and symmetry with the other to warrant the highest prices at auction or during short-term rentals:
 「At the beginning of the binding, many of the foot bones would remain broken, often for years. However, as the girl grew older, the bones would begin to heal. Even after the foot bones had healed, they were prone to re-breaking repeatedly, especially when the girl was in her teenage years and her feet were still soft. …Bound feet were once considered intensely erotic in Chinese culture, and a woman with perfect lotus feet was likely to make a more prestigious marriage. Qing Dynasty sex manuals listed 48 different ways of playing with women's bound feet. …Bound feet rendered women dependent on their families, particularly their men, and became an alluring symbol of chastity and male ownership, since a woman was largely restricted to her home and could not venture far without an escort or the help of watchful servants.」
  [ https://en.wikipedia.org/wiki/Foot_binding 2012-12-17 ] 
 Also meaning to FIGHT, STRUGGLE, CONDEMN, CENSURE, CONTEND, to PUT TWO ADVERSARIES TOGETHER, a BATTLE such as might ensue related to any flesh or foot-dis-integrating endeavor. This glyph is also became the simplified form of「two guys bent over and whacking at each other with spiked clubs or maces attempting to mash each other into large chunks」(, , ) likely causing internal injuries and broken bones without completely tearing off the afflicted limb, somewhat like Roman gladiators.
 This glyph as an element also represents「fleeing, abruptly running off in tears」after a FIGHT, STRUGGLE, a CONDEMNATION, or being CENSURED.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: variant of 鬥|斗; variant of 鬭|斗; to fight; to struggle; to condemn; to censure; to contend; to put together; coming together; dry measure for grain equal to ten 升 or one-tenth of a 石; decaliter; peck; cup or dipper shaped object; old variant of 陡; abbr. for the Big Dipper constellation 北斗星
Japanese: to, square bearing block, Chinese "Dipper" constellation, kanji radical 68 at right, measuring container, measure, box, square on a grid, cell of a grid, piece of wood supporting deeply receded eaves, esp. in temple construction
Unihan extended: Chinese peck; liquid measure
EDRDG: Big Dipper; 10 sho (vol); sake dipper; dots and cross radical (no. 68)

Used within names (nanori)
ます

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.



Japanese vocabulary: 61 entries


Chinese usage: 160 entries


Related glyphs [ Toggle font ]


  • Glyph.00132
  • Strokes: 04
  • jlpt-N2 grade_08

   


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