One side of an element depicting a young Chinese girl child's hairstyle that tied her hair up on each side of her head (卝), so this element came to mean YOUNG GIRL CHILD who was or may have been still a virgin, PREPUBESCENT and UNDERAGE: also RAISED UP (as the hair buns, perhaps), all contributing to the additional meaning of DIVINE (this hairstyle was used in China for girls who were concubines-in-training, and in Japan the same hairstyle was used by adult male deities). Depicts the CRESTS on the head of birds, recalling that one's 'bird' is a euphemism for 'penis' (among other euphemisms) as in flipping the bird with a cresting head at the moment of climax. A further meaning that seems to be what is depicted by the actual drawn strokes is a RAISED ROD (which, in the vernacular, is also a 'bird having a cresting head' in most cases), with the angle of the dangle being directly proportional to the heat of the meat, inspired undoubtedly by a PREPUBESCENT FEMALE (compare to 卜) and used by adult male deities (the paying clients). Most highly-trained service providers with two no-longer-integrated feet, two orifices, could handle two clients with raised rods at one time (see 卝) as a heavenly experience approaching the divine (示).
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　As depicted in erotic Chinese art:「Bound feet were once considered intensely erotic in Chinese culture. …The process was started before the arch of the foot had a chance to develop fully, usually between the ages of 2 and 5. …Qing Dynasty sex manuals listed 48 different ways of playing with women's [no-longer-integrated] bound feet」(after removing the binding cloths, of course)
　　[　https://en.wikipedia.org/wiki/Foot_binding 2012-12-17　]