㛚 equal, uniformity, used to name a girl く,ㄅ,マ,田,丨,冂,女,甬,

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MingLiU:

Mincho:

Gothic:

㛚

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Glyph elements [ Toggle Font ]

く

× HTML entity: く loose amorphous shape potentially odoriferous

　UNBOUND
　

ㄅ

× tension gasping taut spring-like action, unbound busted foot of dynastic China, painful stress

　ELASTIC POTENTIAL STRAIN ENERGY, FLEXIBLY BENDED AND SPRINGY, FLECTURE TENSION
　

マ

× HTML entity: マ kowtow position kneeling and bowing forward down on all fours with buttocks protruding in the lordosis position; shuttling movements back and forth

　DOWN from BOWING POSITION
…or: TENSION LONG TIME and marker
　

田

デン,た plugged and filled orifice or cavity, wet area for implanting, wetlands, moist night soil, rice paddy, muck pool, slurry pit; public use, many orifices

　TEN in ORIFICE
…or: MANY, MANY ORIFICES
…or: BLOCKED, FILLED, SCREWING and ORIFICE, ENCLOSURE
…or: SOIL in CAVITY
…or: PENIS inverted in SPREAD LEGS
　

丨

コン,シ,ジョ,ニョ,すす,しりぞ vertical, reciprocating motion vertically, rod stalk or stem while vertical

　TOP TO BOTTOM, BOTTOM TO TOP, UP-DOWN
　

冂

キョウ,ケイ,× widely spread legs, surrounding outer edge

　VERTICAL RECIPROCATING MOTION, ROD with TENSION TIGHT SPRING-LIKE ACTION, NO-LONGER-INTEGRATED AND BOUND FOOT OF CHINESE FEMALE
　

女

ジョ,ニョ,ニョウ,おんな,め female

　ROD and LOOSENED with ERECTION
…or: HORIZONTAL with NO-LONGER-INTEGRATED LOOSE FOOT and NO-LONGER-INTEGRATED FOOT BENT FOR WRAPPING
…or: LOOSENED with GASPING TENSION
　

甬

⺕ウ,× pass through, path between soil walls on both sides, remaining only a short while, stiff container, bucket, shitcan, to pass stool, feces, flowing fluids among soil walls, river name

　KNEELING ON ALL FOURS behind CLOSED GATEWAY, NOW IN USE
…or: SHUTTLING MOTION with EXCRETION
　

Meanings of elements

FEMALE, WOMAN, GIRL and PASS THROUGH PATH BETWEEN SOIL WALLS ON BOTH SIDES, REMAINING ONLY A SHORT WHILE, STIFF CONTAINER, BUCKET, SHITCAN, TO PASS FECES
…or: FEMALE in LORDOSIS DOWN ON ALL FOURS with ROD in MEAT, CLOSED GATEWAY, NOW IN USE
…or: FEMALE with SHUTTLING MOTIONS in EXCREMENT

「Female, down on all fours in mooning position, passing into or through soil walls」…the meaning of this glyph is EQUAL, UNIFORM and is not quite the same meaning as「all alike, all the same」(同)…in the case of this glyph, perhaps EQUAL, SAME FORM as that of a male who is down on all fours in mooning position and then passing into or through his soil walls. The point being, from the viewpoint of the Chinese sages, was that it didn't matter much which sex was the person down on all fours in the lordosis position, and it didn't matter how many times a female may have birthed a child (and consequently stretched her vagina beyond limits) if the anus was the focal point of intercourse…it all felt the same, any way it was done.
　While post-parturition orifice stretching thousands of years ago (before the days of reconstructive vaginal surgery and episiotomies) caused those vaginas to all feel「alike」the anal orifice in most cases, if the sphincter is not torn during parturition, will maintain constriction power that is EQUAL to and UNIFORM with another person of a similar sex and age, whether having given birth or not. Right element of「bucket」was used for tossing out collected feces, among other functions (「protruding buttocks in use」) and so forth.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Unihan extended: equal; uniform, used in girl's name

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.