襏 cloths or clothing with fluids on the external surface, raingear 祋,′,癶,弓,衤,發,

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MingLiU:

Mincho:

Gothic:

襏

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On-yomi [ Toggle rōmaji ]

ハツ　･　ハチ　･　フツ　･　フチ
HA　TSU　･　HA　CHI　･　FU　TSU　･　FU　CHI

Kun-yomi

あらぬの
a　ra　nu　no

Glyph elements [ Toggle Font ]

祋

タイ,タツ,タチ,ほこ a flasher, an exhibitionist personality, advertising scheme, shamanism; halberd, old fashioned weapon with both a spear and a battle-ax, arms, weapons, firearms

　SHOW DISPLAY of STRETCHED CROTCH SKIN
…or: RELIGION of SPEAR-LIKE SHAPE, STIFF ROD OR POLE, TOOL READIED
…or: CHANGING STATE with SMALL YOUTHFUL MONS PUBIS EMISSION STREAM and STRETCHED FORESKIN SHEATH of CROTCH, WOODY ROD READIED AND WAITING
　

′

癶

ハツ,× feet in some sort of stance, not walking but using legs, unstable; foot use while inverted

　NO-LONGER-INTEGRATED FOOT (sole arch marked) SPURTING
…or: CLEVER STANCE
　

弓

キュウ,ゆみ arched curved shape, bow-shaped, secant, squeezed disintegrated foot touching toe ball to heel, weaponized foot, weaponized arch

　BENT UNTIL THE TWO ENDS OF SOMETHING MAKE CONTACT OR NEARLY SO, SOMETHING FOLDED OVER ONTO ITSELF, END-TO-END, IN-AND-OUT, SIDE-TO-SIDE with EXTREME TENSION, STRESS WITH PAIN AND GASPS, ROLLED TAUT AND TIGHT WITH SPRING-LIKE ACTION, NO-LONGER-INTEGRATED FOOT OF CHINESE FEMALE
　

衤

×,ころも cloth, cloths, clothes, clothing

　emphasis on the DISPLAY
…or: emphasis on NO-LONGER-INTEGRATED FOOT with VERTICAL PERSON WHO SITS MOST OF THE TIME
…or: NO-LONGER-INTEGRATED FOOT DRIPPING VERTICALLY with emphasis
…or: NO-LONGER-INTEGRATED FOOT with emphasis on FLACCID ROD
　

發

ハツ,ホツ,た,あば,おこ,つか,はな to issue, development, departure, a blast, divulge one's feelings, heartfelt, discharge, emissions, emit

　UNSTABLE STANCE OF MEAT AND FEET with ARCH OF NO-LONGER-INTEGRATED FOOT and with STRETCHED SKIN OF CROTCH, STIFF WOOD ROD, TOOL OF ONE'S TRADE, WEAPON READIED
　

Meanings of elements

FLASHING EXHIBITIONIST in ARCHED STANCE with emphasis on DISPLAY
…or: CLOTHING, CLOTH and EMISSIONS, DISCHARGED BLAST
…or: CLOTHING, CLOTH and UNSTABLE STANCE OF MEAT AND FEET with ARCH OF NO-LONGER-INTEGRATED FOOT and with STRETCHED SKIN OF CROTCH, STIFF WOOD ROD, TOOL OF ONE'S TRADE, WEAPON READIED

Elements need no further explanation, other than to mention that the drops involved, assumed to be rain by external sources, are not included as an element in this glyph (missing 氵, 水, 小, 氺, 雨 and other elements meaning fluids). Instead, the drops of fluids seem to emanate from the use of a no-longer-integrated foot with the binding cloth removed. Or perhaps this glyph explains in part why flashers often wear a large raincoat: the emissions can be easily washed away, in addition to providing immediate cover if needed.

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: raincoat
Japanese EDRDG: raincoat
Unihan extended: raincoat

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.