齊 neat, organized, to perform with or engage organs, domesticated bovine herd asset animal [a neat]; evenly, uniformly, identically, equal lengths of time or distance; simultaneously, both sides acting together in unison; hitting the spot, coming quickly 亠,刀,丫,二,ー,レ,乀,丿,口,丨,

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MingLiU:

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Gothic:

齊

Login Welcome!　Introduction
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On-yomi [ Toggle rōmaji ]

セイ　･　サイ
SE　I　･　SA　I

Kun-yomi

そろ(う　･　ひと(しい　･　ひと(しく　･　あたる　･　はやい
so　ro　u　･　hi　to　shi　i　･　hi　to　shi　ku　･　a　ta　ru　･　ha　ya　i

Glyph elements [ Toggle Font ]

亠

トウ,× emphasis on rod, palming, under control, covered

　THIS IS THE POINT emphasis on ROD, SEGMENT, ARRAY, INDICATES EXTENT
　

刀

トウ,かたな,そり ream a hole, a reamer; sever, cut; shear, mow; weapon or tool with a pointed end or sharpened edge

　QUICK MOVEMENT and TENSE
…or: ERECTION in NO-LONGER-INTEGRATED FOOT
　

丫

ア,ヤ,ふたまた,あげまき female sex slave, split into two parts but still connected, bifurcated

　EMISSION with ROD, VERTICAL
　

二

ニ,ジ,ふた,ふたたび two; a change of physical state

　ONE (twice)
　

ー

× HTML entity: ー repeated, bobbing

　REPEATED BOBBING
　

レ

× HTML entity: レ chew, masticate, bite; raised feet; mattock

　VERTICAL MOTION, ROD with HEAD UP AND IN
　

乀

フツ,ブチ,ま stretched taut; leashed under control of another; the other side (of something)

　STRETCHED TAUT
　

丿

ヘツ,えい,よう straight up erect, quick jerking movement, stretched taut

　ERECT, FLING
　

口

コウ,ク,くち orifice, mouth, cavity or passage of the body; an opening, aperture, vent

　ORIFICE
　

丨

コン,シ,ジョ,ニョ,すす,しりぞ vertical, reciprocating motion vertically, rod stalk or stem while vertical

　TOP TO BOTTOM, BOTTOM TO TOP, UP-DOWN
　

Meanings of elements

PALMING, CONTROL of SEX SLAVE CROTCH SLITS with REAMING ERECTION in NO-LONGER-INTEGRATED FOOT on each side and TWO ERECTIONS in RECIPROCAL MOTION, or ERECT ROD with ORIFICE

It is not too difficult to imagine what is being depicted after considering these elements.「Palming, control」with「erection, reaming no-longer-integrated foot」on the left, and「rod, repeating with leg raised and taut」on the right. Center referent of「sex slave foot slit」(as the service provider) with「two」clients「erection and rod」in both of her feet「orifices」placed in service to mean SIMULTANEOUS, IN UNISON, BOTH SIDES ACTING TOGETHER, with EQUAL LENGTHS OF TIME AND DISTANCE.
Glyph has been simplified (斉) as「palming control, intricate strokes on both sides, with erection and rod in reciprocating motions.」Prior to the age of Chinese (dis)enlightenment regarding the merits of foot-busting, these glyphs referred to「intricately reaming female crotch meat on both sides simultaneously」(see 䐡 and 満, 滿, 满, 兩, 两, 幵).
「Bound feet were once considered intensely erotic in Chinese culture…Qing Dynasty sex manuals listed 48 different ways of playing with women's [no-longer-integrated] bound feet」(after removing the binding cloths, of course)
[ https://en.wikipedia.org/wiki/Foot_binding 2012-12-17 ]

External source definitions …excluding politically incorrect concepts and other meanings deemed offensive today; may include extended definitions, euphemisms, and mnemonics)
Chinese: neat; even; level with; identical; simultaneous; all together; to even sth out; (name of states and dynasties at several different periods)
Japanese EDRDG: alike, equal, similar
Unihan extended: even, uniform, of equal length

Used within names (nanori)
ひとし

Always keep in mind that these glyphs most likely were originally designed by groups of clever old men as vulgar riddles for their own entertainment (see 籒 for that), representing Chinese society many thousands of years ago, but intended NOT as a written or spoken language when created. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system! Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is, and often with multiple correct answers to each riddle, the same as is true today. Sex had no shame in ancient China. Why would it? But, have there been necessary rewrites and altered explanations of the original elemental meanings over the centuries?

No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how seemingly bad our human existence is today, do you actually believe that the so-called good old days were any better? Or could they have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any lexicon. This site explains multiple meanings of glyphs ignored or censored by other sources, generally as being too embarrassing to admit today.