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On-yomi   [ Toggle rōmaji ]
イ ・ エ
I ・ E
Kun-yomi
ころも ・ きぬ ・ ~ぎ
ko ro mo ・ ki nu ・ ~gi

Glyph elements  [ Toggle Font ]

Meanings of elements
COVERING PALM GRIP, CONTROL PALMING of PERSON with RAISED FOOT of SITTING PERSON
…or: CONTROL of DELUSION, CHARM
…or: emphasis on ROD TRANSFORMATION with HEAD UP AND IN
「Covering, asserting control」over「emphasis on rod head in transformation」that would be clothing used perhaps to conceal what is underneath, or more likely, to adorn oneself an become sexually alluring for the specific purpose of attracting attention to oneself…note that most traditional dress the world over were shaped as a tunic, toga, sarong, skirt, dress (anything other than what today are called 'pants, trousers') enabling quick and easy access with equally quick cover-up or escape. Originally referred to LONG CLOTHS AS WRAPPINGS for a body or body part, such as loincloths or today in the West, a DRESS such as a sarong, but more specifically referred to the foot binding cloths of concubines in China:「covering the palm holding spot, asserting control」over「a person's head, up and in a sitting concubine, or the raised feet of sitting person.」…it goes without saying, perhaps, that while a no-longer-integrated foot was bound in a long cloth, it could not be accessed for its intended sexual use by a client or other person exactly as these elements describe.
 A wrapped DRESSING or cloth BINDING, wearing CLOTHS became「clothes, clothing, dress」in English. It is normally easier to clothe oneself and to apply foot bindings while in a sitting position while raising one's feet off the floor, one at a time.
 The top of this glyph (palming, control, covering) is often split from the lower portion, and appears as two elements, with some other element in the middle depicting an integral function of some particular CLOTH DRESSING. Related elements provide a further explanation of wrapping long cloths around the feet of a person who may need to be sitting most of the time (lower-right element, ).
 Significantly and not coincidentally, lower elements morphed from 'multiple sitting persons with no-longer-integrated feet' () and (),「control over, emphasis on rod」with「transformation, bewitching, delusion and charm.」What causes the transformation of a person more completely in the minds of onlookers and the individual himself or herself more than the clothing being worn? what causes us to form our opinions of someone at first sight? what is the difference between a prostitute and a queen when both are naked? or clothed? (only her clothing). Is 'every girl really crazy about a sharp-dressed man' regardless of the actual person inside the cloth[e]s?
 Furthermore, seen as part of old seal glyphs in China, these elements formerly were「control of sex slave's no-longer-integrated feet」with「reaming」on each side, still visible as the upper portion of , , , and that was simplified within seal glyphs as , , and combined, drawn symmetrically as emphasis markers on each side of「sex slave slit」with「arrayed」: except with () 'female sex slave' replacing () 'male.' Those older elements clearly are describing FOOT-BINDING CLOTHS.
 Initially, male pants legs of trousers were not connected to each other at the crotch and were two separate pieces of clothing, which is why the plural forms of pants, slacks, trousers are still used for English words. Today, apparently no single Unihan character exists to represent the old lower element, probably since some folks wish to bury the past somewhat, which is understandable.

Modern definitions (that generally disregard history) …excluding politically incorrect concepts and other meanings deemed offensive today; may list only pigeonholed definitions, euphemisms, or meaningless mnemonics)
Chinese: to dress; to wear; to put on (clothes); clothes
Japanese: clothing, garment, dress, clothes, gown, robe, coating, the morning after a couple have slept together, parting ways the morning after having slept together
Unihan extended: clothes, clothing; cover, skin
EDRDG: garment; clothes; dressing

Always keep in mind that these glyphs were originally created by groups of clever old men as vulgar riddles and analogies for their own entertainment (see 籒 for that) and represented Chinese society many thousands of years ago, and not as a written or spoken language. If these glyphs had been intended for language use, the sages could not have possibly designed a worse system. Is it truly possible that all these glyphs started out as off-color jokes and puzzles? Yes! It is! Sex had no shame in ancient China. Why would it? And now, there is a cover-up. No one is suggesting these glyphs depict contemporary life in China, Japan, or anywhere else. This site describes glyph meanings, not people. These glyphs however, describe many and various things, including people, long before there were any notions of becoming politically incorrect. The question to be answered is, should these glyphs continue being used, by anyone, anywhere, for expressing language? (More...) Despite how bad the human world is today, do you actually believe that the so-called good old days were any better? Or they could only have been worse?

By the way, with a limited number of the same elements used by the sages again and again to form these glyphs, you should expect to find the same explanations again and again, as tedious as that may become, and as an inherent trait of any dictionary. This site explains the dual meanings of glyphs most often ignored by other sources that provide you with only the sanctioned definition, generally.



Japanese vocabulary: 212 entries


Chinese usage: 215 entries


Related glyphs [ Toggle font ]


  • Glyph.00184
  • Strokes: 06
  • jlpt-N3 grade_04

   


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